There’s little that dedicated Kobe fans don’t already know, but the book is a visually beautiful presentation that would...

THE MAMBA MENTALITY

HOW I PLAY

The future NBA Hall of Famer explores his process and craft.

Love him or hate him—there seems to be little sentiment in between—former Los Angeles Lakers star Bryant is one of the greatest basketball players of all time. He was always known for his laser-sharp focus, exacting preparation, diligent attention to details, and extreme competitiveness, and all of those qualities are on display in this photo-heavy look back on his career. The key word is “career,” as the author provides almost no biographical detail unrelated to basketball—which is probably appropriate given that he has displayed little interest in anything beyond the game. Conveyed via short, no-nonsense snippets and accompanying photos on nearly every page, the narrative, such as it is, reflects Bryant’s commitment to the game. From training to practice to recovery to mental preparation to highly technical descriptions of his mechanics—and those of his opponents—he delves into it all. The book will appeal to die-hard basketball fans intrigued by one of the game’s brightest minds, but the structure is somewhat haphazard and may lose general readers. The real stars here are the stunning photographs (at least one on every page, with many double-page spreads), all taken by Andrew D. Bernstein, the longtime Lakers official photographer. Each photo effectively demonstrates what Bryant is discussing, and some feature hand-drawn embellishments by the author, showing the angle and direction of a pass or cut or some other element of a particular play. Bryant also delivers capsule assessments of many of his teammates, opponents, and coaches over the years: “Pau [Gasol] was my favorite teammate ever”; “Phil Jackson was more than just a coach—he was a visionary”; “Tex Winter was a basketball genius”; “Jerry West and I had a father-son type of relationship”; Lamar Odom “was the cool-ass uncle who took care of everybody and always came through in the clutch.”

There’s little that dedicated Kobe fans don’t already know, but the book is a visually beautiful presentation that would make an ideal gift for the Lakers fan in the house.

Pub Date: Oct. 23, 2018

ISBN: 978-0-374-20123-4

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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