PINOCCHIO, THE BOY

OR, INCOGNITO IN COLLIDI

Poor Pinocchio: suddenly everyone, even his friends, is treating him very oddly. Why? Because the Blue Fairy turned him into a boy as he slept, and he hasn’t noticed yet. Scattering snowflakes across postmodern pagescapes defined by computer-assisted collages of fragmentary printed matter, towering architecture, and kaleidoscopic arrays of geometric forms, Smith follows his sadly confused ex-puppet on a trek through densely urban “Collodi,” where he’s pushed out by shop owners, tossed off the very puppet stage on which he’d so recently triumphed, and even ignored by his old buddy, Cricket. At last, the despondent lad spots Geppetto on a giant-screen TV and returns home, where the motherly Blue Fairy waits to explain matters. Pinocchio’s joy fills an entire, explosive spread. Like his collaborations with Jon Scieszka (Baloney, Henry P., 2001, etc.), Smith tweaks a classic—or, in this case, its final chapter—for a wild, arty spin-off; though children may be more familiar with the film than the fiction, both characters and context will need no explanation. (afterword) (Picture book. 8-10)

Pub Date: Sept. 1, 2002

ISBN: 0-670-03585-8

Page Count: 48

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2002

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JUDY MOODY SAVES THE WORLD!

McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)

Pub Date: Aug. 1, 2002

ISBN: 0-7636-1446-7

Page Count: 160

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2002

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Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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