In her 25th novel, Lippman messes up a near-perfect batting average.

DREAM GIRL

An injured literary lion is held captive in his waterfront Baltimore condo.

There's a moment in Lippman's latest novel when her delightful series detective, Tess Monaghan, walks into the room and, for a moment, it seems everything could be all right. Unfortunately, it's just a cameo, and we're soon back with our uninspiring cast of three: novelist Gerry Andersen, who's had a debilitating fall, and the two women taking care of him, personal assistant Victoria and night nurse Aileen. At 61, Andersen has never repeated the success of his prizewinning bestseller, Dream Girl, and it's been quite a while since he wrote anything at all. He moved to Baltimore to take care of his mother in her last days, but even after her unexpectedly speedy death, he didn't return to New York, where the last of his many bad decisions involving women is waiting to shake him down for whatever she can get. This ploy doesn't work, and the woman shows up in Baltimore. Even more distressing, Gerry gets a phone call from a woman claiming to be the inspiration for Dream Girl, only, as he's told everyone for years, there is no real person who played that role. All the while, no matter what happens, Andersen's mind generates a literary or cultural connection, from Pete Townshend's solo album to Ben Jonson's plays to The Rocky Horror Picture Show. Some are explained, some aren't, so the reader sometimes feels as stupid as Gerry thinks everyone is. It's too bad this book has to be compared to Misery, because despite similarities in setup, it's no Misery. All the reveals come after you have figured them out; the murders are played for camp. The most gaspworthy moment in the book comes in the author's note: "If you want to play the game of figuring out who Gerry Andersen is, check out the author photo on this book." No! It can't be.

In her 25th novel, Lippman messes up a near-perfect batting average.

Pub Date: June 22, 2021

ISBN: 978-0-06-239007-3

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Well-done crime fiction. Baldacci nails the noir.

DREAM TOWN

An old-fashioned gumshoe yarn about Hollywood dreams and dead bodies.

Private investigator Aloysius Archer celebrates New Year’s Eve 1952 in LA with his gorgeous lady friend and aspiring actress Liberty Callahan. Screenwriter Eleanor Lamb shows up and offers to hire him because “someone might be trying to kill me.” “I’m fifty a day plus expenses,” he replies, but money’s no obstacle. Later, he sneaks into Lamb’s house and stumbles upon a body, then gets knocked out by an unseen assailant. Archer takes plenty of physical abuse in the story, but at least he doesn’t get a bullet between the eyes like the guy he trips over. A 30-year-old World War II combat veteran, Archer is a righteous and brave hero. Luck and grit keep him alive in both Vegas and the City of Angels, which is rife with gangsters and crooked cops. Not rich at all, his one luxury is the blood-red 1939 Delahaye he likes to drive with the top down. He’d bought it with his gambling winnings in Reno, and only a bullet hole in the windscreen post mars its perfection. Liberty loves Archer, but will she put up with the daily danger of losing him? Why doesn’t he get a safe job, maybe playing one of LA’s finest on the hit TV show Dragnet? Instead, he’s a tough and principled idealist who wants to make the world a better place. Either that or he’s simply a “pavement-pounding PI on a slow dance to maybe nowhere.” And if some goon doesn’t do him in sooner, his Lucky Strikes will probably do him in later. Baldacci paints a vivid picture of the not-so-distant era when everybody smoked, Joe McCarthy hunted commies, and Marilyn Monroe stirred men’s loins. The 1950s weren’t the fabled good old days, but they’re fodder for gritty crime stories of high ideals and lowlifes, of longing and disappointment, and all the trouble a PI can handle.

Well-done crime fiction. Baldacci nails the noir.

Pub Date: April 19, 2022

ISBN: 978-1-5387-1977-0

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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