A wild ride both fantastical and grounded in nuance.

RULE OF WOLVES

From the King of Scars Duology series , Vol. 2

Following King of Scars (2019), the world’s a powder keg of political hostilities and existential threats.

In a juggling act between viewpoint characters, readers follow far-ranging intrigues inside countries, between countries, and between individuals. King Nikolai faces imminent threats from Fjerda, rumors of his bastardy that threaten to dethrone him, complicated trade relations with both Zemeni and Kerch, and an engagement to Princess Ehri of Shu Han—despite her sister, Queen Makhi, having schemed to kill both of them. Zoya, Nikolai’s loyal general, is handed a series of nigh-impossible assignments, including some having to do with the Darkling. Meanwhile, deeply embedded Nina spies on Fjerda, working to undermine the rumors surrounding Nikolai’s parentage, uncover Fjerda’s military plans, manipulate their royals toward a more peaceful path, and secretly sway the population’s view of Grisha. And all over the world, a mysterious blight suddenly appears, destroying everything in its path. Sprinklings of recaps and lots of action help to prevent the massively intricate world from becoming overwhelming. Battles in particular shine, not just for their action, but for the questions they pose about the direction of warfare in an arms race. The multiethnic cast that includes queer characters and relationships showcases a White-passing biracial character grappling with identity and another character’s trans-coded journey. A big finish manages to tidy up almost all ends but still leaves space for more to come.

A wild ride both fantastical and grounded in nuance. (Orders of Grisha guide, map) (Fantasy. 14-adult)

Pub Date: March 30, 2021

ISBN: 978-1-250-14230-6

Page Count: 608

Publisher: Imprint

Review Posted Online: Feb. 17, 2021

Kirkus Reviews Issue: March 15, 2021

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An immersive tale of brave, vulnerable teens facing threats both real and fantastic.

ALL OUR HIDDEN GIFTS

An Irish teen grapples with past misdeeds and newfound ties to magic.

When 16-year-old Maeve discovers a deck of tarot cards stashed with a mixtape of moody indie music from 1990, she starts giving readings for her classmates at her all-girls private school. Though her shame over dumping her strange friend Lily during an attempt to climb the social ladder at St. Bernadette’s is still palpable, it doesn’t stop her from trying to use the tarot in her favor to further this goal. However, after speaking harsh words to Lily during a reading, Maeve is horrified when her former friend later disappears. As she struggles to understand the forces at play within her, classmate Fiona proves to be just the friend Maeve needs. Detailed, interesting characters carry this contemporary story of competing energy and curses. Woven delicately throughout are chillingly eerie depictions of the Housekeeper, a figure who shows up on an extra card in the deck, echoing the White Lady legend from Irish folklore. Even more disturbing is an organization of young people led by a homophobic but charismatic figurehead intent on provoking backlash against Ireland’s recent civil rights victories. Most characters are White; Fiona is biracial, with a Filipina mother and White Irish father. Roe, Maeve’s love interest and Lily’s sibling, is a bisexual, genderqueer person who is a target for intolerance in their small city of Kilbeg.

An immersive tale of brave, vulnerable teens facing threats both real and fantastic. (Paranormal. 14-18)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1394-2

Page Count: 384

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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A different kind of fairy tale, for older and wiser readers.

BRAVELY

Disney adaptations are familiar, but this title marks a new gambit: a novel sequel that accepts the source movie, Brave, as canon.

Merida, now nearly 20, has negotiated a truce with her mother (they never talk about betrothals or marriage) and traveled the kingdom learning new things. But little has changed otherwise: The triplets are still a force of chaos, Merida prefers archery to embroidery, the kingdom is at peace, and magic is at rest. That is, until Feradach, the god who brings ruin in order to make room for growth, threatens to destroy everything Merida loves unless she can change her family enough to end their stagnation. This is still clearly a fairy-tale world, but Stiefvater’s understanding of medieval history (briefly detailed in the author’s note) grounds it, as does the very believable nature of Merida’s conflict: Saving what she loves means transforming it beyond what she knows. The episodic structure as Merida takes on three journeys, each with different family members, moves more slowly than the movie, but the depth of characterization—as shown in Feradach and Queen Elinor in particular—is nuanced and noteworthy. Readers who spent their childhoods watching Merida engage with magic will readily fall under her spell again as she negotiates the hardest challenge of all: growing up. All characters are assumed White.

A different kind of fairy tale, for older and wiser readers. (Historical fantasy. 12-18)

Pub Date: May 3, 2022

ISBN: 978-1-368-07134-5

Page Count: 384

Publisher: Disney Press

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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