Miserably fails both the original Alcott classic and, more importantly, readers.



In this new graphic-novel take on Little Women, the March sisters are witches.

When two witch finders move in next door, the March women initially panic. But writer Augustus Laurence and his grandson, Laurie, say they pose no threat—they pursue only witches of the nefarious brand. Meanwhile, crotchety Aunt March insists on training the youngest sister, Amy, in proper witchcraft as her apprentice in exchange for her financial assistance. Jo is quickly distracted from her jealousy by the handsome, charismatic Laurie. When, as in the original story, Marmee departs Concord to visit their father in a Union hospital, the timing couldn’t be worse. Things begin to mysteriously disappear around town: a bolt of silk, a cow, and eventually an actual girl. The March sisters team up with Laurie to get to the bottom of the strange happenings. The witchcraft element isn’t the only departure from the original. Both Laurie and his grandfather are black, and they are not the only townspeople of color; all the Marches are white, however. This story goes awry when Augustus Laurence, a former slave, tells the girls that the reason Africans are slaves in America is because the plantation owners “use magic to keep the slaves tied to them and the land.” This supernatural revisionist history makes mockery of the factual history of kidnapping, brutality, and violence that kept Africans enslaved.

Miserably fails both the original Alcott classic and, more importantly, readers. (Graphic fantasy. 10-14)

Pub Date: Aug. 27, 2019

ISBN: 978-1-62010-553-5

Page Count: 160

Publisher: Oni Press

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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From award winner Telgemeier (Smile, 2010), a pitch-perfect graphic novel portrayal of a middle school musical, adroitly capturing the drama both on and offstage.

Seventh-grader Callie Marin is over-the-moon to be on stage crew again this year for Eucalyptus Middle School’s production of Moon over Mississippi. Callie's just getting over popular baseball jock and eighth-grader Greg, who crushed her when he left Callie to return to his girlfriend, Bonnie, the stuck-up star of the play. Callie's healing heart is quickly captured by Justin and Jesse Mendocino, the two very cute twins who are working on the play with her. Equally determined to make the best sets possible with a shoestring budget and to get one of the Mendocino boys to notice her, the immensely likable Callie will find this to be an extremely drama-filled experience indeed. The palpably engaging and whip-smart characterization ensures that the charisma and camaraderie run high among those working on the production. When Greg snubs Callie in the halls and misses her reference to Guys and Dolls, one of her friends assuredly tells her, "Don't worry, Cal. We’re the cool kids….He's the dork." With the clear, stylish art, the strongly appealing characters and just the right pinch of drama, this book will undoubtedly make readers stand up and cheer.

Brava!  (Graphic fiction. 10-14)

Pub Date: Sept. 1, 2012

ISBN: 978-0-545-32698-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: July 22, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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This winning paranormal uses witchcraft to explore adolescent rebellion.


From the Okay Witch series , Vol. 1

It is Halloween when Moth Hush finds out she is descended from a line of witches.

Her mother reveals the story of their witch origins going back to 17th-century Europe, which Moth’s maternal grandmother, Sarah, fled along with her order for supposed safety in Founder’s Bluff, Massachusetts, only to find persecution there. Led by Sarah, the witches escaped the wrath of the Puritans through a blood ritual that opened a portal to Hecate, a spiritual realm that provided safety. Moth’s mother rebelled and broke away from the coven to live in the real world, ultimately as a single parent to Moth in the 21st century. After a talking black cat (the spirit of a deceased neighbor) appears and befriends Moth, Moth peeks at her mother’s diary—which opens a portal to Hecate, and Moth secretly begins to practice spells unsupervised and to connect with her family there. Moth and family sort through a complicated lineage whose legacy reveals itself to be very much alive in present-day Founder’s Bluff. In Steinkellner’s graphic panels, Moth and her family have brown skin and puffy dark hair, and the 17th-century coven is shown to be multiracial. The complex history provides a mechanism through which Moth sorts through her own coming-of-age as a modern girl of color, and it’s the loving, oftentimes humorous rapport among the Hush women that grounds this graphic novel.

This winning paranormal uses witchcraft to explore adolescent rebellion. (Graphic fantasy. 10-14)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5344-3146-1

Page Count: 272

Publisher: Aladdin

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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