A captivating story smartly recounted.

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DO NOT DISCLOSE

A MEMOIR OF FAMILY SECRETS LOST AND FOUND

The accidental discovery of a private document begins a journey that reveals secrets of family members and strangers in this multifaceted memoir.

Krygier, a Los Angeles juvenile court judge, was on her way to work one day when she dropped by her parents’ house to find her mother conducting a cleanup campaign. Among the strewn paper, the author came across a file bearing the note: “Do Not Share This.” She surreptitiously grabbed the file and set off for court; however, she was hesitant to open it, fearing that it would reveal unbearable secrets about her family’s past. Days later, Krygier found a World War II–era postcard in an antiques mall, written by a British Army private and marked “do not disclose any particulars of your unit.” The message resonated with the author, and she began searching for details about the postcard’s sender—a quest that would later bring her to England. The book also slowly reveals details of the file’s contents as Krygier pieces together her family’s story of infidelity and Holocaust survival. Although written as a memoir, this book has all the suspense of a detective novel as the author hunts for the elusive British soldier and attempts to delay learning the truth about her own family. Along the way, she proves to be a master of the slow reveal, alluding to a night “when all hell broke loose” at the memoir’s opening and only gradually disclosing the details of what happened. Krygier also has a vibrant prose style and an eye for fine detail, characterized by her description of a typewriter: “The keys had to be struck hard. They were round, with a distinct rim, like tiny, old-fashioned spectacles. Each letter clattered downward and commandeered its own individual amount of ink from the ribbon, none uniform.” There are rare occasions when the author includes unnecessary information, such as automated responses to her internet searches, but such details of her setbacks make her successes even more enjoyable. This richly detailed memoir will particularly appeal to those whose imaginations are fired by genealogy and historical research.

A captivating story smartly recounted.

Pub Date: Aug. 24, 2021

ISBN: 978-1-64-742159-5

Page Count: 208

Publisher: She Writes Press

Review Posted Online: June 18, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

HAPPY-GO-LUCKY

Sedaris remains stubbornly irreverent even in the face of pandemic lockdowns and social upheaval.

In his previous collection of original essays, Calypso (2018), the author was unusually downbeat, fixated on aging and the deaths of his mother and sister. There’s bad news in this book, too—most notably, the death of his problematic and seemingly indestructible father at 96—but Sedaris generally carries himself more lightly. On a trip to a gun range, he’s puzzled by boxer shorts with a holster feature, which he wishes were called “gunderpants.” He plays along with nursing-home staffers who, hearing a funnyman named David is on the premises, think he’s Dave Chappelle. He’s bemused by his sister Amy’s landing a new apartment to escape her territorial pet rabbit. On tour, he collects sheaves of off-color jokes and tales of sexual self-gratification gone wrong. His relationship with his partner, Hugh, remains contentious, but it’s mellowing. (“After thirty years, sleeping is the new having sex.”) Even more serious stuff rolls off him. Of Covid-19, he writes that “more than eight hundred thousand people have died to date, and I didn’t get to choose a one of them.” The author’s support of Black Lives Matter is tempered by his interest in the earnest conscientiousness of organizers ensuring everyone is fed and hydrated. (He refers to one such person as a “snacktivist.”) Such impolitic material, though, puts serious essays in sharper, more powerful relief. He recalls fending off the flirtations of a 12-year-old boy in France, frustrated by the language barrier and other factors that kept him from supporting a young gay man. His father’s death unlocks a crushing piece about dad’s inappropriate, sexualizing treatment of his children. For years—chronicled in many books—Sedaris labored to elude his father’s criticism. Even in death, though, it proves hard to escape or laugh off.

A sweet-and-sour set of pieces on loss, absurdity, and places they intersect.

Pub Date: May 31, 2022

ISBN: 978-0-316-39245-7

Page Count: 272

Publisher: Little, Brown

Review Posted Online: March 11, 2022

Kirkus Reviews Issue: April 1, 2022

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