Pham’s latest relies on readers’ first understanding “little” as a synonym for “trivial” or “unimportant” and then resisting this implication by seeing good, significant things in small packages.
Unfortunately, the achievement of the charming digital artwork is undermined by the execution of the book’s central idea, which establishes that littleness might be seen as problematic. A frontmatter page opens with a statement from a smiling child: “Everyone says I’m little. / I really don’t agree. / If only they could see what I see / When I look at me,” but this doesn’t go far enough to explain why being perceived as little is something that needs correction. On ensuing pages, recto page die cuts provide glimpses of underlying reveals, as the first page questions the littleness (insignificance) of one thing, and the page-turn establishes its importance. “A little light?” for example, shows a candle in the first spread, its flame peeking through the die cut, but then the page-turn reveals “No, a welcoming light,” with the candle now situated in a lighthouse guiding a ship. Ironically, this belies the book’s very message, since the little thing (a candle) is revealed as a big thing (a lighthouse), which is a problem that dogs other spreads, too.
There is such a thing as little, after all, and can’t it be just right? (Picture book. 3-5)Pub Date: April 14, 2015
ISBN: 978-0-385-39150-4
Page Count: 48
Publisher: Knopf
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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SEEN & HEARD
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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