CLANCY & MILLIE AND THE VERY FINE HOUSE

Fanciful and reassuring, this quietly charming Australian import examines universal experiences and emotions. Clancy, a young boy, has just moved from what appears to be a small-town setting to an imposing urban block. His parents, seemingly oblivious to his discomfort, extol the virtues of their large, modern new home while Clancy yearns for the cozy comfort of the familiar. Gleeson’s straightforward, child-centered text highlights this discrepancy in attitudes, contrasting the parents’ sweeping pronouncements about the new house with the repeated phrase, “Clancy remembers…” Blackwood’s softly scratchy  illustrations support the text, pairing large, empty, monochromatic rooms as Clancy views them with small, colorful images he remembers from home, varying perspective effectively to communicate mood. Before Clancy (and readers) can get too distressed, however, the action moves outside, where Clancy finds a new friend. Absorbed in building towers, trains and fairy-tale houses from the empty packing boxes (the last game explaining the otherwise bewildering pig-shaped clouds on the cover), Clancy clearly begins to feel more at home. Cozy and sweetly empathetic. (Picture book. 5-8)

Pub Date: Nov. 1, 2010

ISBN: 978-1-921541-19-3

Page Count: 32

Publisher: Little Hare/Trafalgar

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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The message is worthy, but this phoned-in follow-up doesn’t add anything significant.

THE WORLD NEEDS MORE PURPLE SCHOOLS

From the My Purple World series

A color-themed vision of what school should be like.

In what amounts to a rehash of The World Needs More Purple People (2020), Bell and Hart address adult as well as young readers to explain what “curious and kind you” can do to make school, or for that matter the universe, a better place. Again culminating in the vague but familiar “JUST. BE. YOU!” the program remains much the same—including asking questions both “universe-sized” (“Could you make a burrito larger than a garbage truck?”) and “smaller, people-sized” (i.e., personal), working hard to learn and make things, offering praise and encouragement, speaking up and out, laughing together, and listening to others. In the illustrations, light-skinned, blond-haired narrator Penny poses amid a busy, open-mouthed, diverse cast that includes a child wearing a hijab and one who uses a wheelchair. Wiseman opts to show fewer grown-ups here, but the children are the same as in the earlier book, and a scene showing two figures blowing chocolate milk out of their noses essentially recycles a visual joke from the previous outing. (This book was reviewed digitally.)

The message is worthy, but this phoned-in follow-up doesn’t add anything significant. (Picture book. 6-8)

Pub Date: June 21, 2022

ISBN: 978-0-593-43490-1

Page Count: 40

Publisher: Random House

Review Posted Online: April 27, 2022

Kirkus Reviews Issue: May 15, 2022

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