Rich in source material and historical detail, the book suffers from the author's pulpy prose style. Still, worth reading...

MY MOTHER'S WARS

Faderman (Naked in the Promised Land, 2004, etc.) reconstructs her mother's experiences as a Jewish immigrant in 1930s New York.

The author has a knack for tracking down details that bring a story to life, and her descriptions of her mother Mary's journey from a Latvian shtetl to the garment factories and Bronx apartment buildings of 1930s New York are vivid and memorable—as are her descriptions of the dangers faced by the relatives Mary left behind in Latvia. Unfortunately, the fascinating raw material falters under the weight of Faderman’s ponderous prose. The author’s overreliance on heavy-handed foreshadowing saps the narrative energy, and the constant invoking of her mother's "destiny" feels contrived. Faderman's simultaneous resentment of the father who treated her mother badly and gratitude for the man who helped make her is a tension worth exploring; however, the author merely (and repetitiously) asserts it. Faderman's scrupulousness in constructing a faithful historical narrative is admirable, but her writing is overheated and cliché-ridden: moments lead “inexorably” to “what she would pay for to her last rattling breath,” the spread of the “cancer” of fascism is “inexorable,” Americans turn “a blind eye and a deaf ear” to Hitler's aggressions, etc.

Rich in source material and historical detail, the book suffers from the author's pulpy prose style. Still, worth reading for those interested in the lives of Jewish immigrants in New York and the spread of fascism in Eastern Europe in the 1930s.

Pub Date: March 5, 2013

ISBN: 978-0-8070-5052-1

Page Count: 264

Publisher: Beacon Press

Review Posted Online: Dec. 11, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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