A small gem, disturbing and haunting.

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EUPHORIA

King (Father of the Rain, 2010, etc.) changes the names (and the outcome) in this atmospheric romantic fiction set in New Guinea and clearly based on anthropologist Margaret Mead’s relationship with her second and third husbands, R.F. Fortune and Gregory Bateson—neither a slouch in his own right.

In the early 1930s, Nell and Fen are married anthropologists in New Guinea. American Nell has already published a controversial best-seller about Samoan child-rearing while Australian Fen has published only a monograph on Dobu island sorcery. Their marriage is in trouble: Nell holds Fen responsible for her recent miscarriage; he resents her fame and financial success. Shortly after leaving the Mumbanyo tribe they have been studying (and which Nell has grown to abhor), they run into British anthropologist Bankson, who is researching another tribal village, the Nengai, along the Sepik River. Deeply depressed—he's recently attempted suicide—Bankson is haunted by the deaths of his older brothers and his scientist father’s disappointment in him for practicing what is considered a soft science. Also deeply lonely, Bankson offers to find Nell and Fen an interesting tribe to study to keep them nearby. Soon the couple is happily ensconced with the Tam, whose women surprise Nell with their assertiveness. While the attraction, both physical and intellectual, between Bankson and Nell is obvious, Fen also offers Bankson tender care, which threatens to go beyond friendship, when Bankson falls ill. At first, the three-way connection is uniting and stimulating. But as Nell’s and Bankson’s feelings for each other develop, sexual tensions grow. So do the differences between Fen’s and Nell’s views on the anthropologist’s role. While Bankson increasingly shares Nell’s empathetic approach, Fen plots to retrieve an artifact from the Mumbanyo to cement his career. King does not shy from showing the uncomfortable relationship among all three anthropologists and those they study. Particularly upsetting is the portrait of a Tam who returns “civilized” after working in a copper mine.

A small gem, disturbing and haunting.

Pub Date: June 3, 2014

ISBN: 978-0-8021-2255-1

Page Count: 272

Publisher: Atlantic Monthly

Review Posted Online: March 29, 2014

Kirkus Reviews Issue: April 15, 2014

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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