The book is brilliant in its confirmation of an essential truth of childhood, but that doesn’t make it any less unsettling,...
by Liniers ; illustrated by Liniers ; translated by Elisa Amado ‧ RELEASE DATE: Sept. 9, 2014
A lad is tormented by existential boojums every night in this comically eerie variation on a common bedtime trope.
No sooner do his parents bid him sweet dreams and switch off the light than the ceiling becomes “a black hole…black and infinite”—through which float small creatures of diverse shape who stand around his bed and stare at him fixedly. At last, the arrival of a slit-eyed blot that reaches out with twiggy tentacles and whispers, “I am what there is before there is anything there,” sends him pelting toward the parental bedroom. “It’s just your imagination,” soothes his mother, oblivious to the creature that floats into view on the last page. Liniers depicts the grown-ups from neck down to create a child-level perspective, but his dot-eyed, angst-ridden protagonist could be any age. Heavily crosshatched shadows and nighttime visitors with mildly grotesque features add appropriately spooky notes. Snuggling between parents (“But this is the last time”) banishes those boogeymen, right? Wrong.
The book is brilliant in its confirmation of an essential truth of childhood, but that doesn’t make it any less unsettling, though possibly more for adult readers than for children . (Picture book. 6-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-55498-385-8
Page Count: 24
Publisher: Groundwood
Review Posted Online: July 16, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Categories: CHILDREN'S PARANORMAL & SUPERNATURAL
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by Adam Rubin ; illustrated by Daniel Salmieri , Charles Santoso , Liniers , Emily Hughes , Nicole Miles & Seaerra Miller
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by Lucille Colandro ; illustrated by Jared D. Lee ‧ RELEASE DATE: March 27, 2018
Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.
Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.
Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)Pub Date: March 27, 2018
ISBN: 978-1-338-12993-9
Page Count: 64
Publisher: Scholastic
Review Posted Online: Nov. 22, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Troy Cummings ; illustrated by Troy Cummings ‧ RELEASE DATE: Sept. 3, 2019
In the second installment of the Binder of Doom series, readers will reconnect with Alexander Bopp, who leads the Super Secret Monster Patrol, a group of mutant children who protect the citizens of their beloved town of Stermont.
His friends Nikki and Rip rejoin him to add new monsters and adventures to their ever growing binder of monsters. As in series opener Brute-Cake (2019), Alexander and his friends attend the local library’s summer program, this time for “maker-camp.” They are assigned a Maker Challenge, in which each camper is to “make a machine that performs a helpful task”; meanwhile, mechanical equipment is being stolen all over Stermont. Unfortunately, the pacing and focus of the book hop all over the place. The titular boa constructor (a two-headed maker-minded snake and the culprit behind the thefts) is but one of many monsters introduced here, appearing more than two-thirds of the way through the story—just after the Machine Share-Time concludes the maker-camp plotline. (Rip’s “most dangerous” invention does come in handy at the climax.) The grayscale illustrations add visuals that will keep early readers engaged despite the erratic storyline; they depict Alexander with dark skin and puffy hair and Nikki and Rip with light skin. Monster trading cards are interleaved with the story.
Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones. (Paranormal adventure. 6-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-338-31469-4
Page Count: 96
Publisher: Scholastic
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Melissa Martin ; illustrated by Troy Cummings
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