THE BOY WHO LOST HIS FACE

A wry, uneven story in which a junior-high-schooler has his fling with the "in" crowd but ultimately finds more rewarding friends. David stands by uneasily while Roger and two other popular classmates knock down old Mrs. Bayfield, break her window, and steal her cane. When he himself is plagued by similar mishaps, he wonders whether he has been cursed—especially after learning that Mrs. Bayfield is reputed to be a witch who steals faces. Sachar gives David more than his share of grief: a constant victim of japes and jeers, he hangs around with outcasts Larry and Mo (Maureen); having nerved himself to ask out friendly Tori, he stands in front of her and loses his pants. Then, desperate to retrieve the cane and end the curse, he challenges Roger; battered but unbowed, he gets the cane, marches it back to Mrs. Bayfield, and learns that she's Tori's aunt and also a well-known artist who makes life masks (thus the witch rumor). Like There's a Boy in the Girls' Bathroom (1987), this features plenty of wildly tunny moments and deftly depicted social interaction; but once again Sachar keeps underestimating readers, halting the action to explain points he wants to make. Meanwhile, the final scenes, including a bibliotherapeutic epilogue set 150 years hence, are contrived and awkwardly handled.

Pub Date: Oct. 1, 1989

ISBN: 0679886222

Page Count: -

Publisher: Knopf

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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Little Blue Truck keeps on truckin’—but not without some backfires.

LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 19, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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Wonderful, indeed

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  • New York Times Bestseller

THE WONDERFUL THINGS YOU WILL BE

A GROWING-UP POEM

A love song to baby with delightful illustrations to boot.

Sweet but not saccharine and singsong but not forced, Martin’s text is one that will invite rereadings as it affirms parental wishes for children while admirably keeping child readers at its heart. The lines that read “This is the first time / There’s ever been you, / So I wonder what wonderful things / You will do” capture the essence of the picture book and are accompanied by a diverse group of babies and toddlers clad in downright adorable outfits. Other spreads include older kids, too, and pictures expand on the open text to visually interpret the myriad possibilities and hopes for the depicted children. For example, a spread reading “Will you learn how to fly / To find the best view?” shows a bespectacled, school-aged girl on a swing soaring through an empty white background. This is just one spread in which Martin’s fearless embrace of the white of the page serves her well. Throughout the book, she maintains a keen balance of layout choices, and surprising details—zebras on the wallpaper behind a father cradling his child, a rock-’n’-roll band of mice paralleling the children’s own band called “The Missing Teeth”—add visual interest and gentle humor. An ideal title for the baby-shower gift bag and for any nursery bookshelf or lap-sit storytime.

Wonderful, indeed . (Picture book. 1-4)

Pub Date: Aug. 25, 2015

ISBN: 978-0-385-37671-6

Page Count: 32

Publisher: Random House

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

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