HERE IS THE CORAL REEF

Set beneath the coral sea of Australia’s Great Barrier Reef, this forceful cumulative rhyming tale introduces some of the striking residents of the coral reef ecosystem: “Here is the coral/of all colors and shapes/that lives in clear waters/in this vivid seascape.” Each spread adds two lines of rhyme about another resident: parrotfish, wrasses, cod, clownfish, black-tipped reef shark, manta ray, Hawksbill turtle, remoras, Moray eels, anemone, and sponge. Some drama is inserted when the Moray eel must escape from a shark, but all ends well. The text appears on the left quarter of the spread, framed in a pale blue border. Leonard uses the rest of the space to present undersea paintings in a vivid, nearly neon palette. The artist varies perspectives, giving viewers the impression that they are not only underwater at eye level with the reef’s inhabitants, but sometimes at tooth level. (Picture book. 5-9)

Pub Date: May 1, 1998

ISBN: 0-7868-0163-8

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1998

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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WATER

``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)

Pub Date: March 1, 1995

ISBN: 0-15-200189-1

Page Count: 32

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1995

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