A fast, intense, phenomenal read.

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WILDCARD

From the Warcross series , Vol. 2

The fate of free will hangs in the balance as Emika must choose a side in this sequel to Warcross (2017).

In the days after Japanese Hideo triggered the algorithm in the NeuroLink enabling him to control 98 percent of its users (all except those using the beta lenses), people are turning themselves in for crimes en masse, and some child molesters and murderers are even killing themselves. Those still using beta lenses—like Emika Chen, who is implied Asian-American, and her multicultural teammates—have a little more than a week until the beta lenses will download a patch and convert to the algorithm. The tight timeline has Emika dwelling on the team-up offer from Zero—which her friends are against as he’s a terrorist—until her hand is forced by assassination attempts and Zero brings her into the secretive Blackcoat organization and into the know about his identity. Emika struggles with the Blackcoats’ extreme ends-justify-the-means stance but goes along with their plan while teasing out the truth of what happened to Hideo’s brother, Sasuke, all those years ago. The plotting is exquisite, with tiny details connecting back to the first book, big twists that never feel forced, and emotional power drawn from character growth. The flawlessly rendered characters anchor the sophisticated themes and world-altering stakes right up to the end game.

A fast, intense, phenomenal read. (Science fiction. 13-adult)

Pub Date: Sept. 18, 2018

ISBN: 978-0-399-54799-7

Page Count: 352

Publisher: Putnam

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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