The author also writes Tom Clancy novels with the imprimatur of the Clancy estate (Tom Clancy Commander in Chief, 2015,...


Fifth in the Gray Man series, this high-energy thriller pits a highly trained killer against a powerful and unexpected foe.

Court Gentry is a wanted man with many names: Sierra Six, Six, Violator, The Gray Man. When Denny Carmichael, the CIA’s Director of National Clandestine Services, learns Gentry is back in the U.S., he decides it’s time to terminate him: “He’s my target,” Carmichael declares repeatedly. "I’ve been after this man for five years.” He must be extremely frustrated, because 400 pages in, he’s repeating the same refrain: “Court Gentry must die,” as if the reader still needs reminding what the book is about. But Gentry doesn’t know why and is tired of running, of being “off grid.” He’d been in the Autonomous Asset Program, and the CIA is erasing anyone who’d been part of it. Gentry happens to be “the last man standing,” so he’s declared “a rogue CIA man gone mad” and added to a “presidential kill list.” There is even a “Violator Working Group” dedicated to Gentry’s demise. He’s also said to have “fragged the wrong target” in the Back Blast op, though he insists otherwise. Multiple murders are wrongly blamed on him, but you needn’t worry that the Violator is an innocent pansy. He's one of the deadliest assassins on the planet and “the smartest prey Zack had ever tracked.” (That’s Zack Hightower, thought to be long dead and buried.) From time to time the tale feels rather bloated, but readers may not mind as they witness the hero’s unerring aim and semiplausible derring-do. Perhaps all they need to know is summed up in one sentence: “Court Gentry had just gotten so damn good at being so damn bad.”

The author also writes Tom Clancy novels with the imprimatur of the Clancy estate (Tom Clancy Commander in Chief, 2015, etc.), and this series is in the same style. Clancy fans will have a blast.

Pub Date: Feb. 16, 2016

ISBN: 978-0-425-28279-3

Page Count: 528

Publisher: Berkley

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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