At about 500 pages, this one is fat, fast, and fun. Clancy's spirit lives on.

GUNMETAL GRAY

The latest high-energy entry in the Gray Man series (Back Blast, 2016, etc.).

Courtland Gentry, also known as the Gray Man, is everything you’d want in a fictional professional killer. The CIA agent–turned-freelancer is still on America’s side, he’s deadly against superior odds, and he trots out a conscience now and then. The CIA sends Gentry to Hong Kong for an assignment that is "possibly the most important of his life," but he's soon kidnapped. Identifying himself to his captors as “just a hired hit man looking for work,” he isn’t in town a full day before he kills two Chinese intelligence operatives. Then he learns his true mission, finding a Chinese defector for the CIA. Gentry isn’t sure whether he’s rescuing or kidnapping Fan Jiang, but it doesn’t matter. Fan is an information technology specialist from Mainland China who wants to go to Taiwan. The CIA wants Fan because he knows “the Chinese secure networks inside and out,” Chinese intelligence wants him back for the same reason, and even Vietnamese soldiers and gangsters are in on the hunt. And there is Zoya Zakharova, the beautiful (of course) Russian foreign intelligence agent assigned to bring Fan Jiang to Russia. She’s Gentry’s one adversary who is his equal. The action is fast and complicated with bodies galore—all for a good cause, of course—and one literal cliffhanger. Author Greaney co-wrote several Tom Clancy novels, and this thriller is tailor-made for Clancy’s fans. The Gray Man’s character is several shades darker than Jack Ryan’s, though he lacks Ryan’s depth. But Gentry always gets the job done for the US of A, and he entertains while doing it. Whether he kills or beds Zakharova, readers will have to find out.

At about 500 pages, this one is fat, fast, and fun. Clancy's spirit lives on.

Pub Date: Feb. 21, 2017

ISBN: 978-0-425-28285-4

Page Count: 512

Publisher: Berkley

Review Posted Online: Dec. 27, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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THE INSTITUTE

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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