An elegant, classic, and vivid fairy tale.

HUNTED

A rich, Russian-influenced retelling of “Beauty and the Beast.”

Bored by her comfortable life in town, Yeva (Beauty) longs for the woods. But when her merchant father loses their fortune and retreats to the wilderness with Yeva and her older sisters, Lena (Light) and Asenka (Grace), Yeva must remember her woodcraft in order to protect her family. Preferring solitude to her persistent suitor, Solmir, and a brewing love triangle—Asenka is drawn to Solmir—Yeva hunts, first for game, then for the Beast. Blaming the Beast for her father’s absence, Yeva becomes his captive, then his would-be assassin—trained to kill for him but also hoping to kill him—yet struggles to reconcile his violence and humanity. Building upon a familiar tale, Spooner creates a detailed world populated by complex characters, with medieval household mundanities and retellings of Russian folk tales anchoring the later fantastic elements. No Disney heroine, white, red-haired Yeva is also—appreciably—not an instantly lethal, superpowered heroine, although she is single-mindedly bent first on survival, then on revenge. Love blooms slowly, but this is an old-fashioned romance reminiscent of Robin McKinley’s and Patricia McKillip’s novels, concerned with the power of stories.

An elegant, classic, and vivid fairy tale. (Fantasy. 12 & up)

Pub Date: March 14, 2017

ISBN: 978-0-06-242228-6

Page Count: 384

Publisher: HarperTeen

Review Posted Online: Nov. 23, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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