If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.



The difficult spring of 2020, as chronicled by scholars, poets, essayists, and others in the Yale Review.

As we approach the one-year anniversary of the beginning of the pandemic, this collection, put together from the March, April, and May issues of the Review’s "Pandemic Files," seeks to "encapsulate both the inexpressible grief of our moment and the possibility for change and reflection held within it." Editor O'Rourke assembles the work of 36 authors from a wide range of backgrounds. The contributors write not just about the lockdown, but also medicine and epidemiology, the Black Lives Matter protests, the border wall, the contemporary relevance of Thucydides and Boccaccio's Decameron, and how "modern North American history begins with an infectious disease crisis.” Russell Morse, a New York public defender, movingly documents his vigorous but largely doomed attempts to help "the most vulnerable among us," the incarcerated and the homeless. Among the poets represented are Victoria Chang, Yusef Komunyakaa, and Monica Ferrell, and their emotional firepower is matched by a number of strong personal essays. Briallen Hopper, a creative writing professor who lives in Elmhurst, Queens, "a global COVID-19 epicenter" where "the sirens never stop,” mourns the terrible impact of the virus on her blue-collar neighborhood. Rachel Jamison Webster remembers her aunt, who "arrived in my life exactly when I needed her, when I was afraid I would never escape my conventional upbringing." Is it the right time to read this book? One answer is given by recent Yale graduate Meghana Mysore, quoting Yiyun Li—"Rarely does a story start where we wish it had, or end where we wish it would"—and adding her own pertinent thought: "But somewhere in all the chaos is a story, if we are given time to see it." Other contributors include Katie Kitamura, John Fabian Witt, Nell Freudenberger, Randi Hutter Epstein, and Rowan Ricardo Phillips.

If only our response to the pandemic on other fronts could have been as speedy and potent as this literary one.

Pub Date: Nov. 24, 2020

ISBN: 978-0-300-25735-9

Page Count: 232

Publisher: Yale Univ.

Review Posted Online: Dec. 7, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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