An unappealing plot peopled with two-dimensional characters.

RATED

Six mismatched students fight against the societal rating system that rules every aspect of their lives.

Grey (The Savage Dawn, 2017, etc.) provides a glimpse into the panoptic future of globalized and wearable technology where teachers, parents, and peers can influence someone’s future by docking points from personal ratings. Access to food, hospitals, and education are all regulated by a person’s rating. A motley crew of students at Maplethorpe Academy are urged into action when someone graffitis, “THE RATINGS ARE NOT REAL,” onto the front door of their school. Bex, the overachieving dark-skinned brain; Javi, the ambiguously Latin and bronze-skinned gay beauty; jocks Chase (coded white) and Hana (Japanese)—dealing with an alcoholic father and an unspecified eating disorder, respectively; Tamsin, the white tarot-reading, rating-defying rebel; and Noah, the photography enthusiast, bi-curious, white recluse are individually targeted as all six receive personal messages. Unsure of who is sending them, the sextet investigates, uniting to fight the tyranny of the school princess and destroy the oppressive rating system. Ever wondered what a dystopian John Hughes young adult novel would be like? Grey closely hits the mark in her departure from fantasy and incursion into science fiction: The novel unfortunately falls into predictability, and the dystopian world is riddled with teen character stereotypes.

An unappealing plot peopled with two-dimensional characters. (Science fiction. 13-17)

Pub Date: Sept. 3, 2019

ISBN: 978-1-338-28357-0

Page Count: 336

Publisher: Scholastic

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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A satisfying if slightly lesser sequel. (Romance. 13-17)

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P.S. I STILL LOVE YOU

From the To All the Boys I've Loved Before series , Vol. 2

Lara Jean's romantic entanglements complicate themselves further.

In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.

A satisfying if slightly lesser sequel. (Romance. 13-17)

Pub Date: May 26, 2015

ISBN: 978-1-4424-2673-3

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: July 4, 2015

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