An eloquent response to an urgent—and still-unresolved—dilemma.

WHAT TRUTH SOUNDS LIKE

ROBERT F. KENNEDY, JAMES BALDWIN, AND OUR UNFINISHED CONVERSATION ABOUT RACE IN AMERICA

A social and political analyst reflects on racial tensions in contemporary America.

In 1963, Robert Kennedy asked James Baldwin to organize a small, private gathering of prominent African-Americans in order to hear their views on combating segregation and discrimination. Dyson (Sociology/Georgetown Univ.; Tears We Cannot Stop: A Sermon to White America, 2017, etc.) uses that meeting as a jumping-off point for an incisive look at the roles of politicians, artists, intellectuals, and activists in confronting racial injustice and effecting change. The meeting, notes the author, was frustrating for Kennedy and his guests. Besides Baldwin, they included playwright Lorraine Hansberry, black activist Jerome Smith, and entertainers Harry Belafonte and Lena Horne. Hoping that a conversation would result in a practical “urban agenda,” Kennedy was stunned by “a gut punch of black rage.” For nearly three hours he listened to “violent, emotional verbal assaults,” especially from Smith, who claimed that he was “close to the moment where I’m ready to take up a gun.” To Kennedy, his guests seemed “more interested in witness than policy.” Their emotional testimony struck him as “hysterical.” For their part, they saw Kennedy as a well-meaning but ignorant white liberal. White America’s hatred of blackness, Kennedy’s guests agreed, “could never be solved solely by a governmental program.” The meeting, Dyson asserts, exposed rage that still persists, as blacks struggle to find “room to breathe within the smothering confines of white society” and public figures grapple for solutions. The author points to Minneapolis Councilwoman Andrea Jenkins and California senator Kamala Harris; black intellectuals Ta-Nehisi Coates, Erin Aubry Kaplan, and Farah Jasmine Griffin; artists Jay-Z and Beyoncé; and sports figures Muhammad Ali and Colin Kaepernick as inspiring figures courageous enough “to face down oppression in our land.” Dyson also celebrates the potent image of Wakanda in the movie Black Panther, which helps “remythologize blackness, to see blackness as an imagined kingdom of possibility, to see it as an alternative universe of humane endeavor.”

An eloquent response to an urgent—and still-unresolved—dilemma.

Pub Date: June 5, 2018

ISBN: 978-1-250-19941-6

Page Count: 304

Publisher: St. Martin's

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more