The title poem contains all the virtues of the collection. It's lyrical yet accessible ("You are so fragrant, / plump, and...

DEAR HOT DOG

POEMS ABOUT EVERYDAY STUFF

As the subtitle indicates, poetry and pictures about everyday stuff.

The title poem contains all the virtues of the collection. It's lyrical yet accessible ("You are so fragrant, / plump, and steamy"), poetic ("snug as a puppy / in your bready bun") and more than a little mischievous ("I squeeze the sunny / mustard up and down / your ticklish tummy"). There is mischief as well in some of the presentations. The four stanzas of "Summer Sun" travel downward in rays. "Water" requires readers to turn the book 90 degrees for a vertical two-page poem against a blue background, illustrated with submerged kids in swim fins. Other highlights include "Pillow" ("My pillow sleeps / all day, / dreaming it's / a cloud"), "Books" ("Books! / All sizes, all colors, / whispering, / 'Come inside! / Come inside!' "), "Crayons" ("My crayons pop / up in their box, / hands raised") and "Light" ("Where do you go / when it's dark? / Back into lightbulbs / when I turn them off?"). Anthropomorphism is a running theme—a particularly apt one for young children; Gerstein infuses humanity into a toothbrush, shoes, a bowl, a kite, leaves and an ice-cream cone. His acrylic illustrations are in harmony with his verses; sharp black lines and rich colors that spread outside their outlines, giving a dreamy yet vivid effect.

Pub Date: Aug. 1, 2011

ISBN: 978-0-8109-9732-5

Page Count: 32

Publisher: Abrams

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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See, hear, touch, taste, smell...and imagine poetry all around you.

KIYOSHI'S WALK

A neighborhood walk unleashes the power of poetry.

Kiyoshi, a boy of Japanese heritage, watches his poet grandfather, Eto, write a poem in calligraphy. Intrigued, Kiyoshi asks, “Where do poems come from?” So begins a meditative walk through their bustling neighborhood, in which Kiyoshi discovers how to use his senses, his power of observation, and his imagination to build a poem. After each scene, Eto jots down a quick poem that serves as both a creative activity and an instruction for Kiyoshi. Eventually Kiyoshi discovers his own poetic voice, and together the boy and his grandfather find poems all around them. Spare, precise prose is coupled with the haiku Kiyoshi and his grandfather create, building the story through each new scene to expand Kiyoshi’s understanding of the origin of poems. Sensory language, such as flicked, whooshed, peeked, and reeled, not only builds readers’ vocabulary, but also models the vitality and precision of creative writing. The illustrations are just as thoughtfully crafted. Precisely rendered, the artwork is soft, warm, and captivating, offering vastly different perspectives and diverse characters who make up an apparently North American neighborhood that feels both familiar and new for a boy discovering how to view the world the way a poet does. Earth tones, coupled with bright yellows, pinks, and greens, draw readers in and encourage them to linger over each spread. An author’s note provides additional information about haiku.

See, hear, touch, taste, smell...and imagine poetry all around you. (Picture book. 4-7)

Pub Date: March 9, 2021

ISBN: 978-1-62014-958-4

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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There’s always tomorrow.

TOMORROW IS WAITING

A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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