Though stretching credibility at times, Arvin makes a worthy and felt addition to retrospective WWII fiction.


A vividly told first novel about a WWII soldier who never quite understands what’s going on.

When the good but vacuous George Tilson arrives at Omaha Beach (the landings are over), he’s nicknamed “Heck” because that’s his strongest swear word. Heck is from Iowa, 18, and naive, and at once he begins somehow to fall between the cracks, waiting for an assignment that never comes, while others around him are sent off to the front. In scenes only half-believable, he wanders from camp, helps a little French kid who’s injured by a mine, ends up being seduced by the kid’s pretty sister Claire—and, spastically embarrassed, runs away before consummation. Finally attached to a unit and under a night artillery barrage—rivetingly described—Heck discovers that he’s a coward, huddles in his foxhole against orders, and gets separated from his unit. When he then gashes his leg in a fall before finding the others, he’s sent rearward—where, as the seriously wounded suffer and die, he once again somehow goes all but unnoticed. Wandering into town one day, he comes upon Claire’s father—who accuses him of having gotten Claire pregnant. Once again, Heck flees. He’s sent to a unit on harrowing wintertime forest duty, sees death, finds himself once again under heavy fire—and holds his arm up until a bullet pierces it, sending him rearward again. But a ranking fellow soldier sees what he does, and later, after more turns of events, takes the opportunity to punish Heck in an unusual, apropos, and fiercely trying way—one that will hold the reader breathless. Arvin (stories: In the Electric Eden, 2003) opens and closes with references to a real-life Private Eddie D. Slovik, shot for desertion in 1944. Heck’s poor story, subtly enveloped inside Slovik’s, becomes only the more lamentable and sad.

Though stretching credibility at times, Arvin makes a worthy and felt addition to retrospective WWII fiction.

Pub Date: Feb. 15, 2005

ISBN: 0-385-51277-5

Page Count: 176

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2004

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize

  • National Book Award Finalist


Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet


While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?