The most comforting of comfort-food reading—with a few chills for fun.

Reader Votes

  • Readers Vote
  • 16

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

LEGACY

Roberts sticks to formula in this romantic thriller—which should please fans and newcomers alike.

The only daughter of a woman with a wildly successful fitness company, 7-year-old Adrian Rizzo is used to traveling with her mother for videos and photo shoots, the child star of the brand. But everything changes one night when a man breaks into their house, confronts her mother for destroying his marriage, and then dies in a fall down the stairs. Adrian spends the summer with her beloved grandparents, enjoying the idyllic pace of small-town life and making some strong connections. Several years later, teenage Adrian gains the confidence to start her own business with the help of some high school misfits who become her best friends. Fast-forward a few years: Adrian’s grandmother dies in an accident followed by the death of a friend's wife. Adrian decides to move in with her grandfather and to finally make a home. As frequently happens in Roberts’ novels, Adrian's friends all end up living nearby, and they create a loyal, loving network that sees them all through marriage, birth, loss, success, and the other touchstones of maturity. In the background lurks a threat, though: For years, Adrian has been receiving disturbing letters signed only "The Poet," and they begin to arrive more frequently. Adrian’s perfect, messy, successful life—and blossoming relationship—may be in danger from this psychopath, but her friends and family will be there to support and protect her to the happiest of endings. If you're a fan of Roberts’ thrillers, the structure of this novel will bring few surprises, but the familiarity is comforting. Roberts’ strength has always been her ability to create likable, complex characters, and this crew is even more appealing than most—they are never whiny in insecurity or snobbish in success; rather, they provide unwavering support for each other’s ups and downs.

The most comforting of comfort-food reading—with a few chills for fun.

Pub Date: May 25, 2021

ISBN: 978-1-2502-7293-5

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

If novelists are auditioning to play God, Hilderbrand gets the part.

Reader Votes

  • Readers Vote
  • 14

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

GOLDEN GIRL

From the greenroom of the afterlife—make that Benjamin Moore "Parsley Snips" green—a newly dead Nantucket novelist watches life unfold without her.

In her 27th novel, Hilderbrand gives herself an alter ego—beloved beach-novel author Vivian Howe—sends her out for a morning jog, and immediately kills her off. A hit-and-run driver leaves Vivi dead by the side of the road, where her son's best friend discovers her body—or was he responsible for the accident? Vivi doesn't know, nor does she know yet that her daughter Willa is pregnant, or that her daughter Carson is having a terribly ill-advised affair, or that her son, Leo, has a gnawing secret, or that her ex is getting tired of the girl he dumped her for. She will discover all this and more as she watches one last summer on Nantucket play out under the tutelage of Martha, her "Person," who receives her in the boho-chic waiting room of the Beyond. Hermès-scarved Martha explains that Vivi will have three nudges—three chances to change the course of events on Earth and prevent her bereaved loved ones from making life-altering mistakes. She will also get to watch the publication of what will be her last novel, titled Golden Girl, natch, and learn the answers to two questions: Will the secret about her own life she buried in this novel come to light (who cares, really—she's dead now), and will it hit No. 1 on the New York Times bestseller list (now there's an interesting question). She'll also get to see that one of her biggest wrongs is posthumously righted and that her kids have learned her most important lesson. As Willa says to Carson, "You know how she treats the characters in her books? She gives them flaws, she portrays them doing horrible things—but the reader loves them anyway. Because Mom loves them. Because they’re human.”

If novelists are auditioning to play God, Hilderbrand gets the part.

Pub Date: June 1, 2021

ISBN: 978-0-31642008-2

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

Did you like this book?

A sweet, funny, and angst-filled romance with a speculative twist.

ONE LAST STOP

A young woman meets the love of her life on the subway, but there’s one problem: Her dream girl is actually a time traveler from the 1970s.

Twenty-three-year-old August Landry arrives in New York with more cynicism than luggage (she can fit everything she owns into five boxes, and she’d love to downsize to four), hoping to blend in and muddle through. She spent most of her childhood helping her amateur sleuth mother attempt to track down August’s missing uncle, and all that detective work didn’t leave a lot of time for things like friendship and fun. But she ends up finding both when she moves into an apartment full of endearing characters—Niko, a trans psychic whose powers are annoyingly strong; his charismatic artist girlfriend, Myla; and their third roommate, a tattoo artist named Wes. And then, on a fateful subway ride, she meets Jane. Jane isn’t like any other girl August has ever met, and eventually, August finds out why—Jane, in her ripped jeans and leather jacket, is actually a time traveler from the 1970s, and she’s stuck on the Q train. As August, who's bisexual, navigates the complexity of opening her heart to her first major crush, she realizes that she might be the only one with the knowledge and skills to help Jane finally break free. McQuiston, author of the beloved Red, White, and Royal Blue (2019), introduces another ensemble full of winning, wacky, impossibly witty characters. Every scene that takes place with August’s chosen family of friends crackles with electricity, warmth, and snappy pop-culture references, whether they’re at a charmingly eccentric 24-hour pancake diner or a drag queen brunch. But there are also serious moments, both in the dramatic yearning of August and Jane’s limited love affair (it can be hard to be romantic when all your dates take place on the subway) and in the exploration of the prejudice and violence Jane and her friends faced as queer people in the 1970s. The story does drag on a bit too long, but readers who persevere through the slower bits will be rewarded with a moving look at the strength of true love even when faced with seemingly insurmountable obstacles.

A sweet, funny, and angst-filled romance with a speculative twist.

Pub Date: June 1, 2021

ISBN: 978-1-2502-4449-9

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

more