A warm introduction to an inspiring figure.

MOTHER TERESA

THE LITTLE PENCIL IN GOD'S HAND

A debut picture book focuses on the origins of Mother Teresa.

Mother Teresa was known by a different name as a child—Agnes. As Saunders tells her tale, her words are accompanied by soft watercolor and colored pencil illustrations that enhance the storyline and evoke a sense of reverence. From early on, Agnes was torn between her desire to become a writer and her dream to help the poor. She knew the hardship of poverty after her father unexpectedly died. But Agnes’ mother “stitched their family back together again” by selling embroideries. Agnes took food to the needy as a child and developed her writing talent. Eventually, she felt a divine “tugging inside her heart” to serve God in India. She combined her service there with writing, living up to her own stirring words: “I am a little pencil in the hand of God.” The simple language Saunders uses is appropriate for a young audience, and studious readers will enjoy the back matter that gives additional information. Rather than spouting facts about Mother Teresa, the author takes a personal approach, considering what life may have been like for her. While Saunders has clearly done her research, she also deftly takes artistic license to bring the tale alive with sensory and emotional details.

A warm introduction to an inspiring figure.

Pub Date: May 14, 2019

ISBN: 978-1-950169-16-0

Page Count: 32

Publisher: Spork

Review Posted Online: Aug. 20, 2019

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Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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A rollicking tale of rivalry.

IT HAPPENED ON SWEET STREET

Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.

First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.

A rollicking tale of rivalry. (Picture book. 4-8 )

Pub Date: July 7, 2020

ISBN: 978-1-101-91885-2

Page Count: 44

Publisher: Tundra Books

Review Posted Online: April 8, 2020

Kirkus Reviews Issue: May 1, 2020

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