Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.

A HEAD FULL OF GHOSTS

When a teenager exhibits early signs of schizophrenia, her parents turn not to traditional psychiatry but to a Catholic priest determined to drive out demons and a sleazy reality TV show eager to get the whole fiasco on tape.

Fifteen years ago, the Barretts were just a typical Massachusetts  family: father John, mother Sarah, and two daughters, Marjorie, 14, and Merry, 8, who got along well and often wrote stories together. Though John had lost his job, the family managed to stay afloat. Then Marjorie's behavior changed from normal teenage angst to something more disturbing. Tremblay (No Sleep till Wonderland, 2010, etc.) intercuts the past with present-day scenes of Merry being interviewed by an author writing a book about the Barretts' decision to allow their life to be televised on The Possession. It was John, with his renewed faith in God, who pushed for a Catholic intervention—an exorcism, à la Linda Blair—and Sarah finally agreed. Their priest, Father Wanderly, had connections to the television series, and going on the show offered a way for the Barretts to avoid defaulting on their mortgage. The TV crew moved into the family home, and yet, instead of capturing the "truth," an even more elaborate fiction began to play out, with deadly consequences. As the adult Merry's memories clash with the televised version of events leading up to the climactic final episode of The Possession—it's not spoiling too much to say that everything that could go wrong does—readers will begin to question if anyone in the house is truly sane.

Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.

Pub Date: June 2, 2015

ISBN: 978-0-06-236323-7

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: April 16, 2015

Kirkus Reviews Issue: May 1, 2015

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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