An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.


A West Palm Beach story about a boy obsessed with a horror movie star.

As Wilborn’s latest novel opens, lanky 17-year-old Michael Donnelly has already crossed the line. The son of Donnelly Avionics CEO and West Palm Beach millionaire Alex Donnelly, young Michael is a horror film fan, obsessed with the works of director Mario Bava, the “Fellini of gore,” the mind behind such masterpieces as Kill Baby Kill and Blood and Black Lace. Unfortunately, Michael is also obsessed with up-and-coming horror movie star Dawn Karston, to whom he’s mailed what he considers movie storyboards worthy of her artistry but law enforcement would consider death threats (Wilborn’s novel takes place in the 1980s, when parents and cops alike have movie-obsessed John Hinckley’s attempted assassination of President Ronald Reagan fresh on their minds). Faced with the hard facts, and knowing that both he and Michael are still reeling from the suicide of Michael’s mother, Crystal (“the loss of a woman they both loved,” he reflects, “hadn’t brought them closer together”), Alex decides to have Michael committed to Palmdale Haven for the three weeks Dawn Karston is filming Swamp Fiend II in the nearby Everglades. Michael, “a gawky mantis of a kid,” learns of this plan and goes on the run with his father’s credit card and soon falls in with blustering Cavanaugh Reilly and his lover, Lola, who promise to help smuggle Michael onto the Swamp Fiend set before his father’s private investigator finds him—although, to up the ante in a relentlessly clever plot, they’re also thinking of double-crossing him before the money runs out. It’s an antic, very Floridian tale, populated with larger-than-life characters and full of Carl Hiaasen–style dry humor and Elmore Leonard–style sharp descriptions. The characters all have penchants for funny one-liners, and a kind of zany logic binds their very strange separate worlds. Wilborn packs a lot of fun and human insight into a slim number of pages.

An irrepressible Florida frolic filled with lost dreams, forlorn love, and horror movie lore.

Pub Date: June 8, 2022

ISBN: 978-1-940300-48-1

Page Count: 306

Publisher: St. Petersburg Press

Review Posted Online: Dec. 18, 2021

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An alternately farcical and poignant look at family bonds.


When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.


This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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