A SLOW FIRE BURNING

A young man has been stabbed to death on a houseboat...that much is clear.

Hawkins' third novel, after her smash debut with The Girl on the Train (2015) and a weak follow-up with Into the Water (2017), gets off to a confusing start. A series of vignettes introduce numerous characters—Irene, Deidre, Laura, Miriam, Daniel (dead), Carla, Theo, Angela (dead)—all of whom live or lived in a very small geographical area and have overlapping connections and reasons to be furious at each other. We can all agree that the main question is who killed Daniel, the 23-year-old on the houseboat, but it is soon revealed that his estranged mother had died just a few weeks earlier—a drunk who probably fell, but maybe was pushed, down the stairs—and his cousin also fell to his death some years back. Untimely demise runs in the family. The highlight of these goings-on is Laura, a tiny but ferocious young woman who was seen running from Daniel's boat with blood on her mouth and clothes the last night he was alive. Physically and mentally disabled by an accident in her childhood, Laura is so used to being accused and wronged (and actually she is quite the sticky fingers) that she's not surprised when she's hauled in for Daniel's murder, though she's pretty sure she didn't do it. The secondary crimes and subplots include abduction, sexual assault, hit-and-run, petty larceny, plagiarism, bar brawling, breaking and entering, incest, and criminal negligence, and on top of all this there's a novel within a novel that mirrors events recalled in flashback by one of the characters. When Irene reads it, she's infuriated by "all the to-ing and fro-ing, all that jumping around in the timeline....Just start at the beginning, for god's sake. Why couldn't people just tell a story straight any longer, start to finish?" Hmmmmm.

Overkill.

Pub Date: Aug. 31, 2021

ISBN: 978-0-7352-1123-0

Page Count: 320

Publisher: Riverhead

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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As one of Whitehead’s characters might say of their creator, When you’re hot, you’re hot.

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HARLEM SHUFFLE

After winning back-to-back Pulitzer Prizes for his previous two books, Whitehead lets fly with a typically crafty change-up: a crime novel set in mid-20th-century Harlem.

The twin triumphs of The Underground Railroad (2016) and The Nickel Boys (2019) may have led Whitehead’s fans to believe he would lean even harder on social justice themes in his next novel. But by now, it should be clear that this most eclectic of contemporary masters never repeats himself, and his new novel is as audacious, ingenious, and spellbinding as any of his previous period pieces. Its unlikely and appealing protagonist is Ray Carney, who, when the story begins in 1959, is expecting a second child with his wife, Elizabeth, while selling used furniture and appliances on Harlem’s storied, ever bustling 125th Street. Ray’s difficult childhood as a hoodlum’s son forced to all but raise himself makes him an exemplar of the self-made man to everybody but his upper-middle-class in-laws, aghast that their daughter and grandchildren live in a small apartment within earshot of the subway tracks. Try as he might, however, Ray can’t quite wrest free of his criminal roots. To help make ends meet as he struggles to grow his business, Ray takes covert trips downtown to sell lost or stolen jewelry, some of it coming through the dubious means of Ray’s ne’er-do-well cousin, Freddie, who’s been getting Ray into hot messes since they were kids. Freddie’s now involved in a scheme to rob the Hotel Theresa, the fabled “Waldorf of Harlem," and he wants his cousin to fence whatever he and his unsavory, volatile cohorts take in. This caper, which goes wrong in several perilous ways, is only the first in a series of strenuous tests of character and resources Ray endures from the back end of the 1950s to the Harlem riots of 1964. Throughout, readers will be captivated by a Dickensian array of colorful, idiosyncratic characters, from itchy-fingered gangsters to working-class women with a low threshold for male folly. What’s even more impressive is Whitehead’s densely layered, intricately woven rendering of New York City in the Kennedy era, a time filled with both the bright promise of greater economic opportunity and looming despair due to the growing heroin plague. It's a city in which, as one character observes, “everybody’s kicking back or kicking up. Unless you’re on top.”

As one of Whitehead’s characters might say of their creator, When you’re hot, you’re hot.

Pub Date: Sept. 14, 2021

ISBN: 978-0-385-54513-6

Page Count: 336

Publisher: Doubleday

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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A novel of capacious intelligence and plenty of page-turning emotional drama.

BEAUTIFUL WORLD, WHERE ARE YOU

Two erudite Irishwomen struggle with romance against the backdrop of the Trump/Brexit years.

Eileen and Alice have been friends since their university days. Now in their late 20s, Eileen works as an editorial assistant at a literary magazine in Dublin. Alice is a famous novelist recovering from a psychiatric hospitalization and staying in a large empty rectory on the west coast of Ireland. Since Alice’s breakdown, the two have kept in touch primarily through lengthy emails that alternate between recounting their romantic lives and working through their angst about the current social and political climate. (In one of these letters, Eileen laments that the introduction of plastic has ruined humanity’s aesthetic calibration and in the next paragraph, she’s eager to know if Alice is sleeping with the new man she’s met.) Eileen has spent many years entangled in an occasionally intimate friendship with her teenage crush, a slightly older man named Simon who is a devout Catholic and who works in the Irish Parliament as an assistant. As Eileen and Simon’s relationship becomes more complicated, Alice meets Felix, a warehouse worker who is unsure what to make of her fame and aloofness. In many ways, this book, a work of both philosophy and romantic tragicomedy about the ways people love and hurt one another, is exactly the type of book one would expect Rooney to write out of the political environment of the past few years. But just because the novel is so characteristic of Rooney doesn’t take anything away from its considerable power. As Alice herself puts it, “Humanity on the cusp of extinction [and] here I am writing another email about sex and friendship. What else is there to live for?”

A novel of capacious intelligence and plenty of page-turning emotional drama.

Pub Date: Sept. 7, 2021

ISBN: 978-0-374-60260-4

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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