In this slim work, Pettersen writes with minimalist reticence—a remark here, a detail there—to create poignant lyricism.


This new translation of Norwegian author Petterson's first novel—about a 12-year-old Norwegian boy’s summer holiday with his working-class family—sets the stage for many of his later novels.

As Arvid Jansen arrives in Sweden by ferry, he shows genuine excitement at returning to the familiar yet slightly exotic homeland of his mother—the heroine of To Siberia (2008)—where his grandparents still live, but his pure joy won’t last. Arvid appeared as a younger, generally happy child in Pettersen’s debut short story collection, Ashes in My Mouth, Sand in My Shoes (2014). Here the tone is less coming-of-age than loss of innocence. Over the summer, Arvid’s awareness of adult issues and his own complex feelings grow and darken. With disgust he watches the attraction between his slightly older sister, Gry, and his friend Mogens blossom into teen romance. Arvid himself sees a couple making love at the beach and later has an unsettling, vaguely sexual interaction with the woman involved. Digging into the secrets surrounding his grandparents, Arvid becomes closer to his mother as he learns the facts behind the death of her beloved brother Jesper (also important in To Siberia), whom he resembles. On the other hand, he goes from allowing his father to hold his hand in public to ignoring his attempts at conversation to outright hostility. While the ending stirs a sense of dread about Arvid’s immediate future, readers of the subsequent, melancholic Arvid novels already translated into English know that he grows up to become a successful if tortured writer; those readers will be fascinated by how Pettersen has knowingly or unknowingly planted the seeds of the later works here, including the importance of boats, Arvid’s interest in American literature, and his horror of divorce.

In this slim work, Pettersen writes with minimalist reticence—a remark here, a detail there—to create poignant lyricism.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64445-076-5

Page Count: 144

Publisher: Graywolf

Review Posted Online: Nov. 17, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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Gigantic, strange, exquisite, terrifying, and replete with mystery.


A triptych of stories set in 1893, 1993, and 2093 explore the fate of humanity, the essential power and sorrow of love, and the unique doom brought upon itself by the United States.

After the extraordinary reception of Yanagihara's Kirkus Prize–winning second novel, A Little Life (2015), her follow-up could not be more eagerly awaited. While it is nothing like either of her previous novels, it's also unlike anything else you've read (though Cloud Atlas, The House of Mirth, Martin and John, and Robertson Davies' Deptford Trilogy may all cross your mind at various points). More than 700 pages long, the book is composed of three sections, each a distinct narrative, each set in a counterfactual historical iteration of the place we call the United States. The narratives are connected by settings and themes: A house on Washington Square in Greenwich Village is central to each; Hawaii comes up often, most prominently in the second. The same names are used for (very different) characters in each story; almost all are gay and many are married. Even in the Edith Wharton–esque opening story, in which the scion of a wealthy family is caught between an arranged marriage and a reckless affair, both of his possible partners are men. Illness and disability are themes in each, most dramatically in the third, set in a brutally detailed post-pandemic totalitarian dystopia. Here is the single plot connection we could find: In the third part, a character remembers hearing a story with the plot of the first. She mourns the fact that she never did get to hear the end of it: "After all these years I found myself wondering what had happened....I knew it was foolish because they weren't even real people but I thought of them often. I wanted to know what had become of them." You will know just how she feels. But what does it mean that Yanagihara acknowledges this? That is just one of the conundrums sure to provoke years of discussion and theorizing. Another: Given the punch in the gut of utter despair one feels when all the most cherished elements of 19th- and 20th-century lives are unceremoniously swept off the stage when you turn the page to the 21st—why is the book not called To Hell?

Gigantic, strange, exquisite, terrifying, and replete with mystery.

Pub Date: Jan. 11, 2022

ISBN: 978-0-385-54793-2

Page Count: 720

Publisher: Doubleday

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Light on suspense but still a solid page-turner.

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When a devoted husband and father disappears, his wife and daughter set out to find him.

Hannah Hall is deeply in love with her husband of one year, Owen Michaels. She’s also determined to win over his 16-year-old daughter, Bailey, who has made it very clear that she’s not thrilled with her new stepmother. Despite the drama, the family is mostly a happy one. They live in a lovely houseboat in Sausalito; Hannah is a woodturner whose handmade furniture brings in high-dollar clientele; and Owen works for The Shop, a successful tech firm. Their lives are shattered, however, when Hannah receives a note saying “Protect her” and can’t reach Owen by phone. Then there’s the bag full of cash Bailey finds in her school locker and the shocking news that The Shop’s CEO has been taken into custody. Hannah learns that the FBI has been investigating the firm for about a year regarding some hot new software they took to market before it was fully functional, falsifying their financial statements. Hannah refuses to believe her husband is involved in the fraud, and a U.S. marshal assigned to the case claims Owen isn’t a suspect. Hannah doesn’t know whom to trust, though, and she and Bailey resolve to root out the clues that might lead to Owen. They must also learn to trust one another. Hannah’s narrative alternates past and present, detailing her early days with Owen alongside her current hunt for him, and author Dave throws in a touch of danger and a few surprises. But what really drives the story is the evolving nature of Hannah and Bailey’s relationship, which is by turns poignant and frustrating but always realistic.

Light on suspense but still a solid page-turner.

Pub Date: May 4, 2021

ISBN: 978-1-5011-7134-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Feb. 10, 2021

Kirkus Reviews Issue: March 1, 2021

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