Simple, sunny, silly illustrations brilliantly convey the complexities and joys one can unearth when tilling a garden of...
by Ramona Badescu ; illustrated by Benjamin Chaud ; translated by Claudia Zoe Bedrick ‧ RELEASE DATE: July 15, 2013
Pomelo, a diminutive, round-eyed, pink elephant child, discovers opposites in his garden world.
Sometimes satisfyingly clear and sometimes comically questionable, all 58 of Pomelo’s opposites engage and delight. Are polka-dot mushrooms really the opposite of striped mushrooms? Many pairings challenge young readers with sophisticated humor, hinting at tacit desires and subtle feelings. In one spread, Pomelo appears with a lustrous head of blond hair with “dream” appearing beneath; on the accompanying page, a bald head sits atop his body with “reality” stamped below. Pomelo’s eyes look identically plaintive in both portraits—a perfect punch line. These illustrations, rich with implicit suggestions, prompt parents to offer explanations or (better yet!) solicit interpretations from their children. Some opposites, thankfully, are just downright silly. Watch Pomelo, whose body crosses the book’s gutter, open w-i-d-e for a round, red fruit (“in”) on the left page, and see his tail raised to expel an identically spherical poo (“out”) on the right. The book’s pace quickens as it advances, and more and more quirky, nonsensical, complicated pairings crop up. The speedy delivery of associations starts to feel like an exciting, wild ride. Images, words and meanings volley back and forth, bouncing from page to page and between this clever book and readers’ imaginations.
Simple, sunny, silly illustrations brilliantly convey the complexities and joys one can unearth when tilling a garden of language. (Picture book. 4-6)Pub Date: July 15, 2013
ISBN: 978-1-59270-132-2
Page Count: 120
Publisher: Enchanted Lion Books
Review Posted Online: May 29, 2013
Kirkus Reviews Issue: June 15, 2013
Categories: CHILDREN'S CONCEPTS
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by Lindsay Ward ; illustrated by Lindsay Ward ‧ RELEASE DATE: Dec. 1, 2019
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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by Peter H. Reynolds & illustrated by Peter H. Reynolds ‧ RELEASE DATE: Aug. 28, 2012
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 20, 2012
Kirkus Reviews Issue: July 15, 2012
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SCIENCE & TECHNOLOGY
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