Smart, literate and refreshingly unsentimental.

THE BORROWER

A children’s librarian in Hannibal, Mo., finds herself on a long, strange trip in Makkai’s ruminative first novel.

Lucy Hull feels sorry for Ian Drake, the most devoted attendee of her read-aloud on Friday afternoons. Ian’s reading is severely circumscribed by his mother’s fundamentalist strictures, which rule out everything from Roald Dahl to Harry Potter. Lucy is further appalled when she learns that Ian—whom everyone assumes is gay, though he’s only 10—is forced to attend weekly classes with Pastor Bob, who specializes in rehabilitating “sexually confused brothers and sisters in Christ.” So when Lucy finds Ian hiding in the library one morning with a knapsack, she decides to help him run away. They wind up on a meandering journey that passes through her parents’ home in Chicago, where Lucy picks up some cash from her father, an affluent Russian immigrant with vaguely unsavory business ties. En route to Vermont, where Ian claims his grandmother lives, Lucy tries to figure out how she got herself into this mess and how she can avoid being arrested as a kidnapper. Makkai takes several risks in her sharp, often witty text, replete with echoes of children’s classics from Goodnight Moon to The Wonderful Wizard of Oz, as well as more ominous references to Lolita. Lucy and Ian don’t bond in the warm and fuzzy way of Hollywood movies, and there’s no big payoff where he recognizes and renounces his mother’s bigoted ways. He remains a smart, difficult kid whose inner thoughts are opaque. This is Lucy’s story, and we have known from the opening pages that her road trip will shake her loose from Hannibal; the interest comes from discovering how and why. The novel bogs down for a long time in the middle with an excess of plot, but the moving final chapters affirm the power of books to change people’s lives even as they acknowledge the unbreakable bonds of home and family.

Smart, literate and refreshingly unsentimental.

Pub Date: June 27, 2011

ISBN: 978-0-670-02281-6

Page Count: 336

Publisher: Viking

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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