Sure, it’s kind of a rip-off, but it’s scary, it’s fun, and it’s one hell of a carnival ride.

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THE LOST CAUSES OF BLEAK CREEK

Comedy duo and YouTube superstars McLaughlin and Neal (Rhett & Link’s Book of Mythicality, 2017) craft a novel about things that go bump in the night.

Stranger Things carries a lot of cultural weight by itself these days—the legacy of Steven Spielberg, Stephen King, and the many weird movies and books that don’t get the credit they deserve—but these comedy writers have hit that vein hard with this VHS-era kicker that references the Jean-Claude Van Damme movie Kickboxer on the very first page. This is Bleak Creek, North Carolina, circa the early 1990s. We have three buddies, natch: Rex McClendon, whose dad owns a funeral home; his bestie, Lief Nelson; and their mutual crush, Alicia Boykins. They’re making PolterDog, an indie movie, because why not? Anyone who grew up in this era will be delighted by all the pop-culture references, from Goodfellas to Smokey and the Bandit. Of course, we need some reasonable adults around to help, too, so we get Janine Blitstein, a filmmaker just graduated from NYU film school, and her cousin Donna Lowe. Things get creepy in a hurry when Alicia is banished because of “bad behavior” to a local private school called Whitewood, founded in 1979. The big bad here is Wayne Whitewood, head of the school where every student is robbed of an identity and known only as “Candidatus”—Whitewood is the so-named “Keeper,” assisted by the Nurse Ratched–esque “Helper.” All the students are threatened at every turn by torture, most commonly “The Roll,” in which they’re confined in a carpet for days on end. Of course, there's a rescue mission, but because we’re in that Stephen King territory, there are also a bunch of supernatural threats, including a cursed spring and something known only as “The One Below.”

Sure, it’s kind of a rip-off, but it’s scary, it’s fun, and it’s one hell of a carnival ride.

Pub Date: Oct. 29, 2019

ISBN: 978-1-984822-13-0

Page Count: 336

Publisher: Crown

Review Posted Online: Aug. 19, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

A BLIGHT OF BLACKWINGS

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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