The subject of islands lends itself easily to a romantic-enigmatic treatment, and Jane Yolen has put together a generally satisfying collection of both obvious and out-of-the-way teasers. There are local legends about ghosts and pirate treasures and shipwrecks, a short roundup of moving, disappearing or dubiously charted islands, an observer's report on the actual "birth" of Surtsey island just below Iceland, and a trio of longstanding puzzles: the anthropological/logistical one of Easter Island's great sone faces, the biological one, pursued by Darwin, of the Galapagos Islands, and — inevitable — the ancient one of Atlantis, which was possibly a combination of Them and Crete. Just as puzzling is the choice of illustrator for a book that depends on a mysterious, evocative mood — but as the pictures are savingly in black, gray and white, a suitably fog-shrouded impression is maintained throughout.
Pub Date: Nov. 21, 1973
ISBN: 0690896719
Page Count: 115
Publisher: T.Y. Crowell
Review Posted Online: May 12, 2012
Kirkus Reviews Issue: Nov. 1, 1973
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 18, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Categories: CHILDREN'S GENERAL CHILDREN'S
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With the same delightfully irreverent spirit that he brought to his retelling of "Little Red Riding Hood" (1987), Marshall enlivens another favorite. Although completely retold with his usual pungent wit and contemporary touches ("I don't mind if I do," says Goldilocks, as she tries out porridge, chair, and bed), Marshall retains the stories well-loved pattern, including Goldilocks escaping through the window (whereupon Baby Bear inquires, "Who was that little girl?"). The illustrations are fraught with delicious humor and detail: books that are stacked everywhere around the rather cluttered house, including some used in lieu of a missing leg for Papa Bear's chair; comically exaggerated beds—much too high at the head and the foot; and Baby Bear's wonderfully messy room, which certainly brings the story into the 20th century. Like its predecessor, perfect for several uses, from picture-book hour to beginning reading.
Pub Date: Sept. 1, 1988
ISBN: 0140563660
Page Count: 36
Publisher: Dial Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1988
Categories: CHILDREN'S GENERAL CHILDREN'S
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