HE LOVES ME, HE LOVES ME NOT

From the My Boyfriend Is a Monster series , Vol. 7

This weak entry in a generally well-founded series puts a high schooler between two hunky guys who turn out to be the same hunky guy.

Hardly has Serena started at her new school in a small Texas town than she hooks up with hulking star quarterback Lance. She also agrees to become a study partner with mostly home-schooled, equally outsized Cameron—on an assignment analyzing (hint, hint) Dr. Jekyll and Mr. Hyde. Soon, she notices that the two are never seen together and, as time goes on, that Lance shuttles between sweet talk and an ugly temper that turns violent at any mention of Cam’s name. The teens in Cella’s black-and-white panels are engagingly distinct of look and personality, but Mayhall takes so long to set up the background and introduce the characters that the actual melodrama, revelations, climactic face-off and tidy resolution are crammed into the last 35 pages. Some chemistry (of the romantic sort), but the suspense is contrived and perfunctory. (Graphic paranormal romance. 12-14)

 

Pub Date: May 1, 2013

ISBN: 978-0-7613-8548-6

Page Count: 128

Publisher: Graphic Universe

Review Posted Online: Feb. 6, 2013

Kirkus Reviews Issue: March 1, 2013

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A trilogy opener both rich and strange, if heavy at the front end.

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

From the Peculiar Children series , Vol. 1

Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.

The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.

A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)

Pub Date: June 7, 2011

ISBN: 978-1-59474-476-1

Page Count: 234

Publisher: Quirk Books

Review Posted Online: March 31, 2014

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A charming adaptation.

ANNE OF GREEN GABLES

From the Manga Classics series

A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.

Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.

A charming adaptation. (Graphic fiction. 12-14)

Pub Date: Sept. 1, 2020

ISBN: 978-1-947808-18-8

Page Count: 308

Publisher: Manga Classics

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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