Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.


The second novel in Jacobsen’s Ingrid Barrøy trilogy is set during Norway’s World War II occupation by Germany, telescoping the national predicament through the narrow lens of a solitary woman’s experience.

Seasons, representing both change and constancy, are again Jacobsen’s central organizing principle, this time covering not generations but one year. A decade after The Unseen (2020) ended, most inhabitants of Barrøy, an island in a remote archipelago, have scattered. Only Ingrid, now 35, remains to follow an isolated, hand-to-mouth routine. Jacobsen built the earlier novel upon an accumulation of small daily moments, but Norway’s German occupation offers more conventional drama. Germans are stationed on the main island, a hard boat ride away but within Ingrid’s sight. In late autumn she is jolted when bodies in tattered, unrecognizable uniforms mysteriously turn up on Barrøy. One is barely alive. Ingrid nurses him and they become lovers in an intense idyll that can’t last. Days after he escapes (with her help), she awakens in a faraway hospital room with no memory of what happened in the days since their farewell. With her doctor’s help, she recovers shards of memory about a visit from a German officer and local police chief searching for her soldier, who was probably a Russian POW; but she resists remembering too much. Back on Barrøy by early winter, she is joined by her aunt Barbro, who intuits that Ingrid is pregnant. As more memories return, Ingrid worries the father might be one of the men who visited, but what happened with them is discussed only obliquely. This is minimalist fiction with a protagonist of impressive competence—traveling home on a whaler filled with ragged evacuees from Finland and Lapland, Ingrid takes charge of their care, then helps them settle on the main island—but with little interest in revealing herself. And yet Ingrid is a kind of magnet. Her doctor is attracted to her “intuitive” intelligence, as are the whaler’s captain and several youthful evacuees who move to the island to fish and help Ingrid build a new house. Before long, Barrøy's former inhabitants also begin to trickle home, creating new dramas and possibilities.

Disarmingly plainspoken narration brings into sharp relief both individuals and a world in wartime crisis.

Pub Date: April 6, 2021

ISBN: 978-1-77196-403-6

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Dec. 26, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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Warning: Between lurid scenes of plague and paradise, whiplash may ensue.


A young woman finds herself at a Covid-induced crossroads in Picoult’s latest ultratopical novel.

Sotheby’s associate Diana O'Toole, age 29, and her surgical resident boyfriend, Finn, are planning a trip to the Galapagos in March 2020. But as New York City shuts down, Finn is called to do battle against Covid-19 in his hospital’s ICU and ER, while Diana, at his urging, travels to the archipelago alone. She arrives on Isabela Island just as quarantine descends and elects to stay, though her luggage was lost, her hotel is shuttered, and her Spanish is “limited.” What follows is the meticulously researched depiction Picoult readers have come to expect, of the flora and fauna of this island and both its paradisiacal and dangerous aspects. Beautiful lagoons hide riptides, spectacular volcanic vistas conceal deep pits—and penguins bite! A hotel employee known only as Abuela gives Diana shelter at her home. Luckily, Abuela’s grandson Gabriel, a former tour guide, speaks flawless English, as does his troubled daughter, Beatriz, 14, who was attending school off-island when the pandemic forced her back home. Beatriz and Diana bond over their distant and withholding mothers: Diana’s is a world-famous photographer now consigned to a memory care facility with early-onset Alzheimer’s, while Beatriz’s ran off with a somewhat less famous photographer. Despite patchy cellphone signals and Wi-Fi, emails from Finn break through, describing, also in Picoult’s spare-no-detail starkness, the horrors of his long shifts as the virus wreaks its variegated havoc and the cases and death toll mount. Diana is venturing into romantically and literally treacherous waters when Picoult yanks this novel off life-support by resorting to a flagrantly hackneyed plot device. Somehow, though, it works, thanks again to that penchant for grounding every fictional scenario in thoroughly documented fact. Throughout, we are treated to pithy if rather self-evident thematic underscoring, e.g. “You can’t plan your life….Because then you have a plan. Not a life.”

Warning: Between lurid scenes of plague and paradise, whiplash may ensue.

Pub Date: Nov. 30, 2021

ISBN: 978-1-984818-41-6

Page Count: 336

Publisher: Ballantine

Review Posted Online: Jan. 12, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

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An ancient Greek manuscript connects humanity's past, present, and future.

Stranger, whoever you are, open this to learn what will amaze you” wrote Antonius Diogenes at the end of the first century C.E.—and millennia later, Pulitzer Prize winner Doerr is his fitting heir. Around Diogenes' manuscript, "Cloud Cuckoo Land"—the author did exist, but the text is invented—Doerr builds a community of readers and nature lovers that transcends the boundaries of time and space. The protagonist of the original story is Aethon, a shepherd whose dream of escaping to a paradise in the sky leads to a wild series of adventures in the bodies of beast, fish, and fowl. Aethon's story is first found by Anna in 15th-century Constantinople; though a failure as an apprentice seamstress, she's learned ancient Greek from an elderly scholar. Omeir, a country boy of the same period, is rejected by the world for his cleft lip—but forms the deepest of connections with his beautiful oxen, Moonlight and Tree. In the 1950s, Zeno Ninis, a troubled ex–GI in Lakeport, Idaho, finds peace in working on a translation of Diogenes' recently recovered manuscript. In 2020, 86-year-old Zeno helps a group of youngsters put the story on as a play at the Lakeport Public Library—unaware that an eco-terrorist is planting a bomb in the building during dress rehearsal. (This happens in the first pages of the book and continues ticking away throughout.) On a spaceship called the Argos bound for Beta Oph2 in Mission Year 65, a teenage girl named Konstance is sequestered in a sealed room with a computer named Sybil. How could she possibly encounter Zeno's translation? This is just one of the many narrative miracles worked by the author as he brings a first-century story to its conclusion in 2146.

As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

Pub Date: Sept. 28, 2021

ISBN: 978-1-982168-43-8

Page Count: 656

Publisher: Scribner

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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