Violence and love go hand in hand in this tale of two rough men seeking vengeance for their murdered sons.

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RAZORBLADE TEARS

A lean, mean crime story about two bereaved fathers getting their hands bloody.

Coming from the right author, genre fiction has a rare capacity to touch on any number of big ideas: love, death, hatred, violence, freedom, bondage, and redemption, to name just a few. Cosby's latest fits the bill. Fast on its feet, by turns lethal and tender, the story takes place in small-town Virginia, though it could be the backwoods of a great many places. Ike Randolph and Buddy Lee Jenkins, both ex-cons haunted by their pasts, wouldn’t ordinarily mix, largely because Ike is Black and Buddy Lee is White and a casual racist. But the two men are tragically linked. Their sons were married to each other, and they were murdered together, shot in their faces outside a fancy Richmond wine store on their anniversary. The dads are both homophobes, but they also love their sons, so when the police investigation quickly stalls, Ike and Buddy Lee decide to crack a few skulls on their own. Cosby gives us both the charge of once-bad men getting back in touch with their wild sides and the sad reluctance of relatively straight-and-narrow lives turning to vengeance. These old-timers have done bad, bad things, and they’ve done the time to prove it. Now they’re ready to do those things again in the name of a thorny father-son love that neither man is quite comfortable with. Here’s Buddy Lee after a long, hard night with his new friend: “Chopping up your first body is disgusting. Your second is tiresome. When you’re doing your fifteenth it’s all muscle memory.” This is a bloody good yarn with two compelling antiheroes you’ll root for from the start, and not only because their enemies, or at least some of them, belong to a White nationalist biker club with murderous ways of its own. Lean and mean, this is crime fiction with a chip on its shoulder.

Violence and love go hand in hand in this tale of two rough men seeking vengeance for their murdered sons.

Pub Date: July 6, 2021

ISBN: 978-1-250-25270-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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REMINDERS OF HIM

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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