Movingly unravels themes of belonging, Islamophobia, and the interlocking oppressions thrust upon immigrant women.

HOME IS NOT A COUNTRY

What happens when both the place you come from and the place you are feel distant and unaccepting?

These are the questions Nima sets out to answer. A 14-year-old, working-class, Muslim, immigrant kid raised by a single mother in suburban America—that’s Nima. They left their unnamed homeland (contextual clues point to Sudan) in pursuit of a better life, one that didn’t seem to find them. But Nima’s mind often wanders back to her roots, to the Arabic songs she listens to on cassette and old photographs of her parents—things she longs to be a part of. At school, Nima is bullied for her accented English, her obvious poverty, and her mother’s hijab. Haitham, the neighbor boy who’s more like a sibling, goes to the same school and is Nima’s only friend. But one day Haitham is beaten up in a hate crime, winding up in the hospital hooked up to machines. The abyss between Nima and her mother begins to grow as Nima learns more about her father’s absence. Elhillo’s novel, which contains light fantastical elements, tells the story of a Muslim girl traversing post–9/11 America with the baggage of a past she does not yet fully understand. The vivid imagery creates a profound sensory experience, evoking intense emotions in a story that will resonate with readers from many backgrounds.

Movingly unravels themes of belonging, Islamophobia, and the interlocking oppressions thrust upon immigrant women. (Verse novel. 12-18)

Pub Date: March 2, 2021

ISBN: 978-0-593-17705-1

Page Count: 224

Publisher: Make Me a World

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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An enticing, turbulent, and satisfying final voyage.

THE NOBLEMAN'S GUIDE TO SCANDAL AND SHIPWRECKS

From the Montague Siblings series , Vol. 3

Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.

On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.

An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)

Pub Date: Nov. 16, 2021

ISBN: 978-0-06-291601-3

Page Count: 464

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Sept. 1, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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