Although it includes all the necessary components—lots of fog, a ghostly presence and an alienated teenage girl—this effort...

MISTWALKER

High school junior Willa’s coastal Maine world has been rocked by tragedy.

Before the beginning of Mitchell’s latest paranormal outing (The Elementals, 2012, etc.), tenacious lobsterwoman Willa enlisted the aid of her younger brother, Levi, to retaliate after another lobsterman repeatedly interfered with her father’s traps. As Willa tells in flashback, when they got back from their trap-destruction foray, the man was waiting on the dock and murdered the boy. Still wracked by grief and guilt, although supported by her boyfriend and her appealingly depicted lesbian best friend, Willa begins to feel the draw of the Grey Man, a mythic, ghostly figure who haunts an offshore lighthouse. Alternating chapters are related by Willa and the Grey Man, who was lured to the island and entrapped a century earlier; he must remain there until he catches 1,000 souls of those who die in or near the sea—or finds a willing replacement to fill his job. As Willa’s world continues to fall apart, that option sometimes seems attractive to her. Mild creepiness and limited suspense result, sustained by lyrical writing that sometimes fails, particularly in Willa’s case, to feel like an authentic voice.

Although it includes all the necessary components—lots of fog, a ghostly presence and an alienated teenage girl—this effort never quite achieves a compelling level of peril and creepiness. (Paranormal fiction. 11-18)

Pub Date: Feb. 4, 2014

ISBN: 978-0-547-85315-4

Page Count: 320

Publisher: Harcourt

Review Posted Online: Nov. 13, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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An immersive tale of brave, vulnerable teens facing threats both real and fantastic.

ALL OUR HIDDEN GIFTS

An Irish teen grapples with past misdeeds and newfound ties to magic.

When 16-year-old Maeve discovers a deck of tarot cards stashed with a mixtape of moody indie music from 1990, she starts giving readings for her classmates at her all-girls private school. Though her shame over dumping her strange friend Lily during an attempt to climb the social ladder at St. Bernadette’s is still palpable, it doesn’t stop her from trying to use the tarot in her favor to further this goal. However, after speaking harsh words to Lily during a reading, Maeve is horrified when her former friend later disappears. As she struggles to understand the forces at play within her, classmate Fiona proves to be just the friend Maeve needs. Detailed, interesting characters carry this contemporary story of competing energy and curses. Woven delicately throughout are chillingly eerie depictions of the Housekeeper, a figure who shows up on an extra card in the deck, echoing the White Lady legend from Irish folklore. Even more disturbing is an organization of young people led by a homophobic but charismatic figurehead intent on provoking backlash against Ireland’s recent civil rights victories. Most characters are White; Fiona is biracial, with a Filipina mother and White Irish father. Roe, Maeve’s love interest and Lily’s sibling, is a bisexual, genderqueer person who is a target for intolerance in their small city of Kilbeg.

An immersive tale of brave, vulnerable teens facing threats both real and fantastic. (Paranormal. 14-18)

Pub Date: June 8, 2021

ISBN: 978-1-5362-1394-2

Page Count: 384

Publisher: Walker US/Candlewick

Review Posted Online: Dec. 10, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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