A creative and original tale shot through with quirky humor that entertains while encouraging readers to ponder questions of...

THE APOCALYPSE OF ELENA MENDOZA

A coffee chain is the unlikely setting of a miracle healing that sets in motion events that herald a coming apocalypse.

Sixteen-year-old Elena Mendoza was the product of a virgin birth. While unkind classmates taunt her with the nickname “Mary,” there is a scientific explanation for her existence: parthenogenesis. Essentially a clone of her half-Cuban, half-white mother, she also hears voices emanating from inanimate objects. When Elena saves the life of her longtime crush, Freddie, after she is shot at a Starbucks, she discovers the trade-off: with each healing, random people disappear from Earth, beginning with the shooter himself. Freddie, whose race is not described, struggles with depression and has mixed feelings about her role as the involuntary recipient of a miracle cure even as the two embark on a rocky flirtation. Elena must decide whether to listen to her best friend, Fadil, a devout Muslim boy who believes her powers are God-given; the clamoring voices speaking through a My Little Pony, Lego Gandalf, and other objects that tell her she is destined for greatness; or her own doubt-ridden conscience. Fantasy fans who desire intricate technical explanations may be disappointed at what is left unexplained, but the story is about faith, after all, and readers who appreciate relationship-driven novels will have much to savor. Elena’s bisexuality is refreshingly unproblematic—simply another aspect of her nature that is accepted by those around her—an echo of the deft treatment of differences among the diverse cast of characters.

A creative and original tale shot through with quirky humor that entertains while encouraging readers to ponder questions of free will and social responsibility. (Fantasy. 14-adult)

Pub Date: Feb. 6, 2018

ISBN: 978-1-4814-9854-8

Page Count: 448

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Dec. 3, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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