A young urbanite romps through floral fields and deep into a flower’s anatomy, exploring humanity’s connection to nature.
A solo car travels away from the dense, gray cityscape. Mountains rise up, full of pattern and light, before revealing a fluorescent field of flowers. A child bursts from the car across the page, neon-rainbow hair streaming in the wind, as both child and place radiate joy and life. The brown-skinned, blue-eyed youngster breathes in the meadow and begins an adventure—part Jamberry, part “Thumbelina,” and part existential journey as the child realizes the life force running through the veins of the flower is the same that runs through all of us, from the water that sustains to the sun that grows. Harris’ colored-pencil illustrations are full of energy and spontaneity. His use of patterning and graphic symbology evoke Oaxacan design, yet the style is all his own. The text is equally enthusiastic: “Have you ever seen / a flower so deep / you had to shout / HELLO / and listen for an echo / just to know / how deep it goes?” The text shifts abruptly from metaphor to metaphor, in one spread the flower likened to a palace and a few pages later, to human anatomy. Nevertheless, like the protagonist and the natural environment, readers will feel themselves stretch and bloom.
A visual feast teeming with life.(Picture book. 3-7)