A dynamic addition to a consistently thrilling series.

NO GOING BACK

A very bad man has painted a target on Nora Watts’ back, and she vows to find him before he finds her…and her daughter, Bonnie.

Nora, who has a talent for finding people, missing or otherwise, is back in Vancouver after the events of It All Falls Down (2018), in which she investigated her father’s death in Detroit. She hopes to get to know 17-year-old Bonnie, whom she gave up for adoption, and she’s also anxious to be reunited with her beloved dog, Whisper. But where Nora goes, trouble usually follows. An ex-soldier named Dao has put a bounty on her head and has no qualms about using Bonnie to get to her. After all, she killed his lover and his previous employer two years ago. Nora plans to take on this threat herself, but despite her best efforts to keep everyone she knows from getting too close, she’s got a few allies who don’t plan on letting her tackle this alone. PI and ex-cop (and Nora’s former lover and AA sponsor) Jon Brazuca joins the search no matter how much Nora tries to shake him, and he realizes that he’s still carrying a torch for her. Brazuca has a few extra tools at his disposal, namely the resources made available by the security firm that employs him as well as billionaire former client Bernard Lam, who has his own motives for pursuing Dao. The few breadcrumbs they find lead Nora, Brazuca, and Lam to Indonesia, where they hatch a plot to snare Dao. Nora has a suspicion she might be the bait, but she’s not about to let him get to Bonnie. In Kamal’s third book to feature Nora, the author hints at the possibility of brighter days ahead for her complicated heroine, if only Nora can stop the man who harbors a deep hatred of her and who won’t stop until she’s dead. It’s worth noting that Kamal has never been one for overly neat endings. Don’t expect her to start now. Fans of Elizabeth Hand’s Cass Neary and Kristen Lepionka’s Roxane Weary will especially find a lot to like.

A dynamic addition to a consistently thrilling series.

Pub Date: April 14, 2020

ISBN: 978-0-06-286976-0

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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