PANCHO'S PIÑATA

As little Pancho—dressed as an angel—leads his village's Christmas Eve procession, he hears the cries of a star impaled on an ancient cactus and frees it with his long staff. Years later, after a life of toil enriched with a happiness that dates to this experience, he memorializes it by creating the first pi§ata, in the shape of a star. The story here is unexceptional, but it serves to showcase customs surrounding the pi§ata and the posada; the well-designed illustrations, in the vibrant colors that characterize Mexican art, are decorative and appealing. (Picture book. 4-8)

Pub Date: Sept. 14, 1992

ISBN: 1-56282-277-2

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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VOTE!

After the sorry example of the 2000 presidential election, it’s good to be reminded of the simple beauty—and hard-won right—of voting for a candidate. And Christelow goes farther in this primer on the process of electing a candidate. Simple language, gay color, and humorous subplots make for an appealing introduction to electoral politics, and she wisely complements her somewhat dry explanatory text with a typically funny word-bubble story of one woman’s mayoral campaign. Readers learn about political parties and polls, voter registration, to be wary of campaign advertising, the right to recounts, and are urged to conduct research into the candidates. There’s also a very handy timeline of voting rights that conveys the eye-opening evolution of democracy in the US. Impressively, Christelow gives to each individual vote a sense of importance—an act of participation that nestles in the heart of democracy. (Picture book. 5-8)

Pub Date: Aug. 18, 2003

ISBN: 0-618-24754-8

Page Count: 48

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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Effectively argues that “People are more powerful together.”

SOMETIMES PEOPLE MARCH

Simple, direct statements are paired with watercolor illustrations to highlight some of the rallying causes for organized marches throughout the history of the United States.

The text and art begin with two marches that will reemerge as metaphor later in the book: a long line of ants marching to and from a piece of watermelon, and members of a blue-and-gold–clad marching band following their leader’s baton. As the band recedes on the verso, across the gutter an extremely diverse group of people similar to the crowds marching across the book’s cover advances toward readers on recto. Here the text repeats the book’s title. Next, negative space surrounds a small group of women and children—obviously from an earlier time—holding a protest sign. The text explains that sometimes people march “to resist injustice.” The facing page shows a contemporary family gazing with chagrin at a polluted beach; they will march because they “notice a need for change.” The text continues to offer simple explanations of why people march, eventually moving to other peaceful means of resistance, including signs, boycotts, strikes, sit-ins, and “taking a knee.” Hardship in the form of physical and psychic exhaustion is mentioned, but police and other legally sanctioned violence against protest is not—the general mood is uplifting encouragement to young, potential activists. This timely book combines rudimentary facts about peaceful resistance with art that depicts organized actions from the 19th century through today, and endnotes reveal more specifics about each illustration, including historic figures represented.

Effectively argues that “People are more powerful together.” (Informational picture book. 4-8)

Pub Date: Sept. 1, 2020

ISBN: 978-0-06-299118-8

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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