An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself.

WE WEREN'T LOOKING TO BE FOUND

Two teenage girls’ paths intersect at a low point in their lives, but where they go from there is anything but certain.

Danielle Washington and Camila Ortiz meet at Peach Tree Hills, a suburban residential treatment facility for adolescent girls outside Atlanta, where they’re roommates as well as the only brown-skinned girls. Originally from a well-off Black political family in Dallas, Dani’s relationship to addiction and dependency is the primary focus of her recovery, but her resentment toward her mother and how that impacts her sense of self is complicated even further by learning to be honest with herself. Similarly, Cams has self-harm tendencies that her Latin American parents—one a Colombian immigrant and one Mexican American—in small-town Georgia have struggled with for some time. Kuehn is careful not to offer easy answers for why both girls find themselves in overlapping and distinct moments of despair and desperation, self-harm and self-sabotage, but the connections among family, race, and the widespread societal harm inflicted upon young girls in particular are presented thoughtfully in the dueling narrations of these two deeply intelligent and expressive teens. Dani and Cams complement each other well as earnest storytellers and, eventually, reluctant friends, but their experiences are as raw as their struggles may feel futile. Still, the professionals in the novel provide a tremendous and optimistic amount of care.

An insightful, grounded, and compassionately messy meditation on adolescence, institutional support, and helping oneself. (content warning, resource list) (Fiction. 13-19)

Pub Date: June 21, 2022

ISBN: 978-1-368-06410-1

Page Count: 320

Publisher: Disney-Hyperion

Review Posted Online: April 13, 2022

Kirkus Reviews Issue: May 1, 2022

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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