Gleefully gross. And a few of the principals even outlive the tale, meaning there’s hope for a sequel, assuming King wants...

END OF WATCH

From the Bill Hodges Trilogy series , Vol. 3

You know it’s a politicized time when the bad guy in a King novel loses points not strictly for being evil but for “living like Donald Trump.”

“It’s always darkest before the dawn,” King cheerfully reminds us at the very outset of this work of mayhem and murder, closing a trilogy devoted to retired detective Bill Hodges and investigative partner Holly Gibney. Yes, it is, and “darker than a woodchuck’s asshole,” too, reminding us that we’re in King’s New England, where weird things are always happening. Bill—well, his real first name is Kermit—has a doozy of a case from the very start: those weird things leapfrog back to the first volume, to a time, seven years before the present, when the perp of the so-called Mercedes Massacre drifted off into comaland. Throughout the trilogy, King has both honored and toyed with the conventions of hard-boiled crime fiction, and it seemed as if he’d be staking out that genre as his own; now, though, he steers back into the realm of horror that for sure belongs to him, for the baddie, Brady Hartsfield, who had merely been an incest-committing mass murderer before, has now acquired psychic powers and is experimenting merrily with ways to convince the innocent to kill themselves—and perhaps worse. Having lost some mobility, Brady is deeply ticked off—and, as King writes, “Being in a situation like that, who wouldn’t want to kill a bunch of people?” Right, and it’s up to Kermit/Bill and Holly to stop “Z-Boy,” as he’s now calling himself, from further mischief, very much more easily said than done. Suffice it to say that heavy machinery—having been run over, King hates cars, and having grown up when he did, he doesn’t have much use for gizmo technology, either—figures into both the crime and its cure, and suffice it to say that both are exceedingly messy.

Gleefully gross. And a few of the principals even outlive the tale, meaning there’s hope for a sequel, assuming King wants to play with the definition of trilogy, too....

Pub Date: June 7, 2016

ISBN: 978-1-5011-2974-2

Page Count: 496

Publisher: Scribner

Review Posted Online: March 17, 2016

Kirkus Reviews Issue: April 1, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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