Gleefully gross. And a few of the principals even outlive the tale, meaning there’s hope for a sequel, assuming King wants...

END OF WATCH

From the Bill Hodges Trilogy series , Vol. 3

You know it’s a politicized time when the bad guy in a King novel loses points not strictly for being evil but for “living like Donald Trump.”

“It’s always darkest before the dawn,” King cheerfully reminds us at the very outset of this work of mayhem and murder, closing a trilogy devoted to retired detective Bill Hodges and investigative partner Holly Gibney. Yes, it is, and “darker than a woodchuck’s asshole,” too, reminding us that we’re in King’s New England, where weird things are always happening. Bill—well, his real first name is Kermit—has a doozy of a case from the very start: those weird things leapfrog back to the first volume, to a time, seven years before the present, when the perp of the so-called Mercedes Massacre drifted off into comaland. Throughout the trilogy, King has both honored and toyed with the conventions of hard-boiled crime fiction, and it seemed as if he’d be staking out that genre as his own; now, though, he steers back into the realm of horror that for sure belongs to him, for the baddie, Brady Hartsfield, who had merely been an incest-committing mass murderer before, has now acquired psychic powers and is experimenting merrily with ways to convince the innocent to kill themselves—and perhaps worse. Having lost some mobility, Brady is deeply ticked off—and, as King writes, “Being in a situation like that, who wouldn’t want to kill a bunch of people?” Right, and it’s up to Kermit/Bill and Holly to stop “Z-Boy,” as he’s now calling himself, from further mischief, very much more easily said than done. Suffice it to say that heavy machinery—having been run over, King hates cars, and having grown up when he did, he doesn’t have much use for gizmo technology, either—figures into both the crime and its cure, and suffice it to say that both are exceedingly messy.

Gleefully gross. And a few of the principals even outlive the tale, meaning there’s hope for a sequel, assuming King wants to play with the definition of trilogy, too....

Pub Date: June 7, 2016

ISBN: 978-1-5011-2974-2

Page Count: 496

Publisher: Scribner

Review Posted Online: March 17, 2016

Kirkus Reviews Issue: April 1, 2016

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Too much drama at the end detracts from a finely wrought and subtle conundrum.

THE WOMAN IN CABIN 10

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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Greed, love, and extrasensory abilities combine in two middling mysteries.

LABYRINTH

Coulter’s treasured FBI agents take on two cases marked by danger and personal involvement.

Dillon Savitch and his wife, Lacey Sherlock, have special abilities that have served them well in law enforcement (Paradox, 2018, etc.). But that doesn't prevent Sherlock’s car from hitting a running man after having been struck by a speeding SUV that runs a red light. The runner, though clearly injured, continues on his way and disappears. Not so the SUV driver, a security engineer for the Bexholt Group, which has ties to government agencies. Sherlock’s own concussion causes memory loss so severe that she doesn’t recognize Savitch or remember their son, Sean. The whole incident seems more suspicious when a blood test from the splatter of the man Sherlock hit reveals that he’s Justice Cummings, an analyst for the CIA. The agency’s refusal to cooperate makes Savitch certain that Bexholt is involved in a deep-laid plot. Meanwhile, Special Agent Griffin Hammersmith is visiting friends who run a cafe in the touristy Virginia town of Gaffers Ridge. Hammersmith, who has psychic abilities, is taken aback when he hears in his mind a woman’s cry for help. Reporter Carson DeSilva, who came to the area to interview a Nobel Prize winner, also has psychic abilities, and she overhears the thoughts of Rafer Bodine, a young man who has apparently kidnapped and possibly murdered three teenage girls. Unluckily, she blurts out her thoughts, and she’s snatched and tied up in a cellar by Bodine. Bodine may be a killer, but he’s also the nephew of the sheriff and the son of the local bigwig. So the sheriff arrests Hammersmith and refuses to accept his FBI credentials. Bodine's mother has psychic powers strong enough to kill, but she meets her match in Hammersmith, DeSilva, Savitch, and Sherlock.

Greed, love, and extrasensory abilities combine in two middling mysteries.

Pub Date: July 30, 2019

ISBN: 978-1-5011-9365-1

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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