A multilayered illustration of a unique community where things aren’t always what they seem.

THE QUIET ZONE

UNRAVELING THE MYSTERY OF A TOWN SUSPENDED IN SILENCE

An exploration of perhaps the last quiet town in America.

Journalist Kurczy, who hasn’t “owned a cellphone in nearly a decade,” takes us through the intriguing community and culture of Green Bank, West Virginia, dubbed “the quietest town in America.” Nestled “deep in the mountains of Appalachia,” the town is home to the Green Bank Observatory. Due to the demands of the facility’s astronomical research, devices emanating radio frequencies that might interfere with their telescopes are banned in what is called the “National Radio Quiet Zone.” After learning about this seemingly idyllic community, the author dug deeper, hoping to discover a better life. During numerous visits, Kurczy interviewed and heard stories from and about some of its residents who have sought refuge in the silence, including neo-hippies and those suffering from “a mysterious illness called ‘electromagnetic hypersensitivity.’ ” The author also discovered a darker side of this remote area: conspiracy theories, unsolved deaths, and ties to the racist National Alliance. Throughout his time in Green Bank, Kurczy ate with the locals, drank moonshine, shot guns, and participated in cave-dives and other adventures. In a community filled with contradictions, he also found that neighbors were always willing to help each other in times of need. Kurczy also examines educational and health concerns, the impact that the absence of technology has had on the citizens’ lives, other means of communications used within the community, and inaccurate portrayals of the region by the media. The epilogue offers an update based on the effects of the current pandemic. Although Kurczy recognizes that various viewpoints exist within the community and includes them in the text, the narrative also includes some physical and cultural clichés frequently found in works related to rural Americans. Nonetheless, the story remains captivating.

A multilayered illustration of a unique community where things aren’t always what they seem.

Pub Date: Aug. 3, 2021

ISBN: 978-0-06-294549-5

Page Count: 336

Publisher: Dey Street/HarperCollins

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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