THE ALPHABET FROM A TO Y WITH BONUS LETTER Z!

This high-profile crossover will slide effortlessly onto the bestseller lists, but it’s not likely to win its creators many new adult fans—or any child ones. Showing a fine disregard for foolish consistencies like end words that actually rhyme consistently, Martin fashions surreal situations in 26 couplets, each paired to a literal illustration from Chast strewn with both her customary cast of homely, anxious figures and other words or items that feature the selected letter. Though some spreads have a certain verbal and visual bounce—in the art for “Pedro the puppy piled poop on his paws / And Papa dog published his photo because,” for instance, the peeved paternal parent brandishes a copy of “Popular Pooch,” as mama dog praises a parsnip pizza—more often the captions read like random words strung together. Furthermore, some of the image choices, such as the 107 (or so) hunchbacks in Henrietta’s hairdo, or the drunk wandering past David the dog-faced boy, skate to the edge of poor taste. A gallery of accented letters on the endpapers provides some added value, but not enough. Like Shirley and Milton Glaser’s The Alphazeds (2003), any resemblance to a title for tots is coincidental. (Picture book. Adult)

Pub Date: Oct. 23, 2007

ISBN: 978-0-385-51662-4

Page Count: 64

Publisher: Flying Dolphin/Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2008

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Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

LITTLE BLUE TRUCK'S CHRISTMAS

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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Haphazard but jolly enough for one outing; it probably won’t last for more.

THE CRAYONS' CHRISTMAS

From the Creative Creature Catcher series

A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).

Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.

Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51574-6

Page Count: 52

Publisher: Penguin Workshop

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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