The Sehgals’ newest picture book introduces young readers to Holi, a Hindu spring festival, through color, repetition, and onomatopoeia.
As the book opens, Chintoo and Mintoo—nicknames often given to young children in India or in Indian homes—are preparing for Holi, a holiday during which, among other things, celebrants douse each other with colored powder and water. The children collect flowers, such as hibiscus (“because hibiscus flowers make RED”) and irises (“because irises make BLUE”), and then crush the dried petals into powders to use to play with their parents, friends, and neighbors. “POOF!” the colors pop, and the revelers chant, “Holi, hai! Holi, hai!” (“It’s Holi! It’s Holi!”) Unlike the Sehgals’ text, which lacks rhythm and is quite dull, Harrison’s textured and cinematic illustrations are vivacious and dynamic, with renderings of humans that reflect her background in animation. Refreshingly, she represents children and adults with a wide variety of skin tones; India’s many browns are also on display here. This is the mother-and-son authorial team’s third collaboration (after A Bucket of Blessings, illustrated by Jing Jing Tsong, 2016, and The Wheels on the Tuk Tuk, illustrated by Jess Golden, 2014), and while it is sharper than the duo’s previous books, it still falls flat. The book includes an authors’ note that provides further historical and cultural context about Holi, which may provide some classroom relevance.
Anodyne but useful . (Picture book. 3-6)Pub Date: Jan. 30, 2018
ISBN: 978-1-4814-2049-5
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 18, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Categories: CHILDREN'S FAMILY | CHILDREN'S HOLIDAYS & CELEBRATIONS
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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SEEN & HEARD
Children point out the things they love about their fathers.
“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.
Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-12305-8
Page Count: 32
Publisher: Rodale Kids
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 1, 2020
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