A handsome volume to enchant a new generation of readers and artists.

THE QUILTS OF GEE'S BEND

How homemade quilts created in rural Alabama became modern art.

Descended from enslaved African-Americans on the Pettway Plantation, the women of Gee’s Bend, Alabama, have been making quilts for generations. Taught by grandmothers, mothers, and aunts, these women have made quilts from cotton and corduroy and even old men’s trousers, using bold colors and a variety of patterns. For the poor tenant farmers of Gee’s Bend, the quilts were functional, “something to cover up with” to keep warm in cold cabins and hung out on fences and clotheslines once a year to “air out.” Rubin effectively demonstrates the important role of collectors Bill and Matt Arnett in “discovering” the quilts and seeing them as visual art, “some of the best art in the country.” Soon, thanks to their efforts, the quilts were being shown in museums all over the United States and included in the collection of the Modern Museum of Art in New York City. Full-color photographs beautifully present the quilts, while numerous other color and black-and-white photographs portray the history of Gee’s Bend and its now-famous quilters. A thread of history runs through the narrative, too, weaving in slavery, the New Deal, and the civil rights movement. A section on “Making a Quilt Square” makes quilting accessible to young artists.

A handsome volume to enchant a new generation of readers and artists. (source notes, bibliography, acknowledgments, image credits) (Nonfiction. 8-14)

Pub Date: June 13, 2017

ISBN: 978-1-4197-2131-1

Page Count: 56

Publisher: Abrams

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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NIGHTBIRD

There’s a monster in Sidwell, Massachusetts, that can only be seen at night or, as Twig reveals, if passersby are near her house.

It’s her older brother, James, born with wings just like every male in the Fowler line for the last 200 years. They were cursed by the Witch of Sidwell, left brokenhearted by their forebear Lowell Fowler. Twig and James are tired of the secret and self-imposed isolation. Lonely Twig narrates, bringing the small town and its characters to life, intertwining events present and past, and describing the effects of the spell on her fractured family’s daily life. Longing for some normalcy and companionship, she befriends new-neighbor Julia while James falls in love with Julia’s sister, Agate—only to learn they are descendants of the Witch. James and Agate seem as star-crossed as their ancestors, especially when the townspeople attribute a spate of petty thefts and graffiti protesting the development of the woods to the monster and launch a hunt. The mix of romance and magic is irresistible and the tension, compelling. With the help of friends and through a series of self-realizations and discoveries, Twig grows more self-assured. She is certain she knows how to change the curse. In so doing, Twig not only changes James’ fate, but her own, for the first time feeling the fullness of family, friends and hope for the future.

Enchanting. (Magical realism. 9-12)

Pub Date: March 10, 2015

ISBN: 978-0-385-38958-7

Page Count: 208

Publisher: Wendy Lamb/Random

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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