This wholesome, well-intentioned effort may result in an enthusiastic response even if the plot is a bit thin and the...

JUST SAY BOO!

Rhyming call-and-response text propels this light trick-or-treating adventure to its pleasant end, where even the youngest child learns how to say “boo!”

Hood establishes a predictable, interactive rhythm from the get-go: “If the ghosts in the trees / wibble-wobble your knees, / what do you say? // BOO!” After this pattern is repeated a few times, the answers begin to vary, presumably in an attempt to further engage young readers. When wet leaves tug on sleeves, the children say, “Eww!” Or when an adult dressed as a skeleton offers candy to the costumed characters, they say, “Thank you!” Henry’s rather pedestrian illustrations, many of which have a washed-out sepia effect with muted oranges, yellows and browns, lack the vibrancy reflected in the text. The main trio of children—a vampire bat, witch and shark—are cute enough, though, particularly the pudgy little shark.

This wholesome, well-intentioned effort may result in an enthusiastic response even if the plot is a bit thin and the pictures fail to truly inspire. (Picture book. 2-5)

Pub Date: Aug. 1, 2012

ISBN: 978-0-06-201029-2

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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Fun format; bland text.

LOVEBLOCK

From the Block Books series

A hefty board book filled with ruminations on the nature of love.

While love is the topic of this board book, it’s the inventive gatefolds and charmingly vintage illustrations that readers will fall for. Brimming with sweeping declarations along the lines of “Love is / strong. // You have my back and I’ll always have yours,” the text sounds like a series of greeting cards strung together. It’s benign enough, but are most toddlers interested in generic proclamations about love? Some statements, like the ones on “unsinkable” hippos or a panda parent holding a cub “steady,” could introduce new vocabulary. At least there’s plenty of winsome critters to fawn over as the surprisingly sturdy flaps tell dramatic little ministories for each cartoon-style animal species. A downcast baby giraffe looks longingly up at a too-high tasty branch; lift a flap to bring an adult giraffe—and the delicacy—down to the baby, or watch an adventurous young fox retreat into a fold-down–flap burrow to learn that “my heart will always be home with you.” At points, the pages are tricky to turn in the correct order, but clever touches, like a series of folds that slow readers down to a sloth’s speed, make up for it. The book concludes with a gatefold revealing a vibrant playground populated with racially and ethnically diverse humans; two are wheelchair users.

Fun format; bland text. (Board book. 2-4)

Pub Date: Dec. 1, 2020

ISBN: 978-1-4197-3153-2

Page Count: 84

Publisher: Abrams Appleseed

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

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