Even the most yoga-enthused readers may find this title pretentious and off-putting.

THE THREE LITTLE YOGIS AND THE WOLF WHO LOST HIS BREATH

A FAIRY TALE TO HELP YOU FEEL BETTER

This wolf huffs and puffs whenever he is angry, simply because he doesn’t know what else to do with his anger.

But now he has a problem: He has lost his huff and puff. One day when in a cranky mood he encounters a peaceful-looking pig practicing yoga. Much as he wants “to huff and puff and blow down” the pig’s straw house, he cannot. The pig yogi—a caricatured stereotype of all things yoga—oozes compassion for her natural competitor; suggests they “meditate on that” when he explains his dilemma (which is, of course, that he can’t blow down her house); and teaches him belly breathing. When this isn’t enough to fully squelch the wolf’s urge to huff and puff, they go off to another yoga-practicing pig’s home for more meditation and breathing until they finally wind up at a brick yoga studio. It’s surprising to see such a flawed treatment from the author of I Am Yoga and I Am Peace (2015 and 2017; both illustrated by Peter H. Reynolds). The tone is surprisingly elitist, suggesting that those who don’t know how to breathe away their anger just need to be enlightened by yoga. The illustrations further propagate this trope with their stark contrast between the villainous wolf and the serene pigs. The only bright spot is the inclusion of a nonbinary pig, who’s referenced using the singular “they.”

Even the most yoga-enthused readers may find this title pretentious and off-putting. (Picture book. 4-8)

Pub Date: May 5, 2020

ISBN: 978-1-4197-4103-6

Page Count: 32

Publisher: Abrams

Review Posted Online: Feb. 26, 2020

Kirkus Reviews Issue: March 15, 2020

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

ON THE FIRST DAY OF KINDERGARTEN

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: June 1, 2016

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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